Tag Archives: Cool

Cool Credit Report images

Published / by webmaster

A few nice credit report images I found:

Tuesday afternoon – bw
credit report
Image by roger901
Thanks to the following for choosing creative commons, some changes were made. Thanks to justjosie for the texture:

Emmanuel MURGEY La Ferté 2014-_MUR9749
www.flickr.com/photos/131578358@N05/26092046755/in/faves-…
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Moyan Brenn Desert
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COPYRIGHT RULES & CONDITIONS
-1)- Copyright Acceptance: By using my images, the user entirely accepts this copyright statement.
-2)- Ownership of the images: All the images in this gallery belong to me, Moyan Brenn, and are published on Flickr for a non-profit, personal, artistic and recreational reason.
-3)- Permitted Use: My images can be used for free for both private and commercial use under license CC-BY-2.0 in change of reporting my credits in a form such as "image copyrights Moyan Brenn", and in change of respecting this copyright statement. Otherwise, If my credits cannot be reported, a request for a full special license must be firstly sent me.
-4)- Violation of my copyright: The violation of my copyright rules constitutes a critical copyrights infringement that could be legally pursued with a request of reimbursement.
-5)- Private Property decline of responsibility: please be advised that some of my images could contain some private property, such as buildings or monuments which could be under the copyright of their owners. In this sense, the licenses offered on point 3), do not already include in any case the permission of the property owners, especially in case of commercial use of my images. Therefore, before any use of such images, it is responsibility of the final user to firstly ask for this permission directly to the properties owners. In this sense, I decline any responsibility derived from the improper or illegal use of my images containing private property.
-6)- General decline of responsibility: please be advised that in any case I decline any responsibility for any possible consequence derived from the improper or illegal use of my images.

Dave Camel
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DSC_6241 – Windmill turned Lighthouse
credit report
Image by archer10 (Dennis) 95M Views
PLEASE, no multi invitations, glitters or self promotion in your comments. My photos are FREE for anyone to use, just give me credit and it would be nice if you let me know. Thanks

The Battle of the Windmill

After the 1837 Rebellions many rebels fled to the United States where a few joined American sympathizers in a new attempt to overthrow British rule in Canada. On 12 November 1838 they landed 190 men here and seized this windmill and nearby buildings. The local people remained loyal, reporting to their militia units; in a few days 2,000 militia and regulars, supported by naval vessels, besieged the mill. Although British guns did little damage to the mill, the insurgents, seeing no escape, surrended on the 16th. Eleven were later executed and 60 exiled to Australia. 3 km east of Prescott, Ontario, Canada

This really was built as a windmill, and it was rebuilt as a lighthouse in 1846 and served until 1965.

Cool Free Credit Report Government images

Published / by webmaster

Some cool free credit report government images:

Banksy in Boston: F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED, Essex St, Chinatown, Boston
free credit report government
Image by Chris Devers
Interestingly, both of the Boston area Banksy pieces are on Essex St:

F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
NO LOITRIN in Central Square, Cambridge.

Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.

Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.

But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:

I can only surmise that he’s having a ‘dig’ at Essex UK, especially with the misspelling of ‘Loitering’. Here, the general view of the urban districts in Essex: working class but with right wing views; that they’re not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the ‘chit chat’, and swagger around showing off their dosh (money).

It was also the region that once had Europe’s largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.

• • • • •

Meredith Goldsten of the Boston Globe wrote to me on Facebook and asked for permission to run one of my Banksy photos in the newspaper, which I granted. Supposedly, this photo or one of the others I took appeared in the Globe on 15 May 2010, but I haven’t been able to find it. The online version of that day’s article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? uses a photo taken by "Essdras M. Suarez / Globe Staff". If I can find a copy of that day’s paper and verify that one of my Banksy photos was in there, I’ll scan the page & post a copy here 🙂

• This photo appeared on Grafitti – A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now — I was as surprised as you are.

• This photo also appeared on Love Your Chaos on Tumblr, among other blogs. Thanks!

• • • • •

Banksy
From Wikipedia, the free encyclopedia

Banksy
Birth name
Unknown

Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]

Nationality
British

Field
Graffiti
Street Art
Bristol underground scene
Sculpture

Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism

Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone’s Angel
Pulp Fiction

Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy’s work was born out of the Bristol underground scene which involved collaborations between artists and musicians.

Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]

Banksy’s first film, Exit Through The Gift Shop, billed as "the world’s first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]

Contents

1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
2 Notable art pieces
3 Technique
4 Identity
5 Controversy
6 Bibliography
7 References
8 External links

Career

Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol’s DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]

Stencil on the waterline of The Thekla, an entertainment boat in central Bristol – (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]

Banksy’s stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.

In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur’s 2003 album Think Tank.

2000

The album cover for Monk & Canatella‘s Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]

2002

On 19 July 2002, Banksy’s first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]

2003

In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet‘s Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper‘s Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]

2004

In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen’s head with Princess Diana‘s head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa’s Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.

2005

In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel’s highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]

2006

• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby’s London for £50,400, setting an auction record for Banksy’s work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol‘s Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy’s success.[26]

2007

• On 21 February 2007, Sotheby’s auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day’s auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can’t Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy’s iconic image of a scene from Quentin Tarantino‘s Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:

The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote ‘If it’s better next time I’ll leave it’ in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone – rest in peace.[citation needed]

Ozone’s Angel

• On 27 April 2007, a new record high for the sale of Banksy’s work was set with the auction of the work Space Girl & Bird fetching £288,000 (US6,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art’s Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy’s The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]

• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy’s Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell’s graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips’ "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy’s works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot ‘Em Up starring Clive Owen, Banksy’s tag can be seen on a dumpster in the film’s credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]

2008

• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn’t cover anyone else’s.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].

2009

• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don’t believe in global warming" which was submerged in water.[52]

2010

• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.

Notable art pieces

In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:

• At London Zoo, he climbed into the penguin enclosure and painted "We’re bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message ‘I want out. This place is too cold. Keeper smells. Boring, boring, boring.’ in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London’s Tate Britain gallery.
• In May 2005 Banksy’s version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]

Near Bethlehem – 2005

• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]

See also: Other Banksy works on the Israeli West Bank barrier

• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT’s transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton‘s debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog’s head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]

Technique

Asked about his technique, Banksy said:

“I use whatever it takes. Sometimes that just means drawing a moustache on a girl’s face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]

Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy’s work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.

He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.

Identity

Banksy’s real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]

Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]

In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]

In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]

In July 2008, it was claimed by The Mail on Sunday that Banksy’s real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.

In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.

Banksy, himself, states on his website:

“I am unable to comment on who may or may not be Banksy, but anyone described as being ‘good at drawing’ doesn’t sound like Banksy to me.[82]

Controversy

In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:

“To actually [have to] go through the process of having a painting selected must be quite boring. It’s a lot more fun to go and put your own one up.[83]

Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy’s work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy’s street art glorifies what is essentially vandalism".[6]

In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn’t fond of it, and the portaloos were removed before the 2008 festival.

In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London’s Regent Canal. In retaliation several Banksy pieces in London have been painted over by ‘Team Robbo’.[85][86]

Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia’s Melbourne CBD. [87]

Bibliography

Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:

• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3

Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]

Two books authored by others on his work were published in 2006 & 2007:

• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 – with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy’s Bristol: Home Sweet Home (2007) ISBN 978-1906477004

External links

Official website
Banksy street work photos

Cool Home Mortgage Loan photos

Published / by webmaster

Some cool home loan loan images:

Mortgage Rates
home mortgage loan
Image by MarkMoz12

Image from web page 98 of “The Santa Fe magazine” (1913)
home mortgage loan
Image by online Archive Book Images
Identifier: santafemagazine5101unse_3
Title: The Santa Fe magazine
Year: 1913 (1910s)
Writers:
Subjects: Atchison, Topeka, and Santa Fe Railroad Business Railroads
Publisher: Chicago : Santa Fe Magazine
Adding Library: University of Illinois Urbana-Champaign
Digitizing Sponsor: University of Illinois Urbana-Champaign

View Book Webpage: Book Viewer
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age. The resignation of Rodman Butterworth isbeing significantly lamented by many people young ladiesaround Fresno and Stockton. Zack hasgone back to the old home in Tennessee. W.P. Herron regarding the la Division hasbeen utilized in simply take Butterworths spot. R. M. Jones, that has worked as main clerkin the connection and building division for fouryears, and that is investing their summertime keep-ing time for an extra group, leaves the lat-ter section of September to go into the medicaldepartment of Vanderbilt University on histhird year of a four-year course. Doc Jonesis popular by all his Santa Fe acquaintances,and if he should prove as successful in themedical career as he has actually as a railroad-man, there never ever may be any occasion for himto go hungry. GALVESTON(W. W. Smithey, treatment superintendent) Bess Warren has actually returned from Marlinslightly enhanced from their recent assault ofrheumatism. Palmer Wyatt, alias Y, will need unto him-self in the near future a life spouse. A can- ADVERTISING INFORMATION 09

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The Edison!* The newest style Edison Phonograph inour grand brand-new outfit—this superb en-tertainer, Mr. Edisons most recent, final im-provement of phonograph, shipped TOTALLY FREE! Yes, FREE! We do not ask a single thing of one’s money—We do not wantyou to help keep the phonograph—i simply wish give it to you ona no-cost loan—then you’ll send it back within my very own expense. D/arl Ill A ^t£*m* ■ i’ll deliver you release this grand newI1WU lilt? VI ICl ■ ensemble. Fireside Model .with one dozen Gold Molded and Amberol documents.You do not have to spend me personally a cent C. O. D. or signal anyleases or mortgages. I want you to obtain this no-cost outfit—the work of art of Mr. Edisons skill—in your house. Iwant that see and hear Mr. Edisons last and greatestimprovement i n phonographs. I want to persuade you of itswonderful superiority. Offer a free show; offer a freeminstrel show, songs, dances, the conventional hymns, grandopera, comic opera—all this I want you to hear free ofcharge—all is likely to home—on this free loan offe

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Cool Auto Insurance images

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A few nice auto insurance images I found:

Auto insurance fraud busts
auto insurance
Image by CA Dept of Insurance
CA. Dept. of Insurance
(photo credit: Nancy Kincaid)

Madrid_0141
auto insurance
Image by Joanbrebo
Edificio Metrópolis, Madrid.

Inaugurado el 21 de enero de 1911, fue adjudicado por concurso y diseñado por los arquitectos franceses Jules y Raymond Février para la compañía de seguros La Unión y el Fénix. La obra final la llevó a cabo el español Luis Esteve Fernández-Caballero, que la terminó en 1910.

Sobre la austera planta baja, las plantas superiores, en estilo neorrenacimiento, están adornadas con columnas corintias y entablamentos que sirven de pedestal a estatuas alegóricas del Comercio, la Agricultura, la Industria y la Minería de los escultores Mariano Benlliure, Paul Landowski y De Lambert.

La torre circular está coronada por una cúpula de pizarra con incrustaciones doradas, que por su semejanza con el casco de los bomberos se denomina "estilo Pompier" (bombero en francés). Originariamente, soportaba el símbolo de la compañía, una estatua alegórica de bronce del Fénix sobre el cual había una figura humana con el brazo alzado representando a Ganímedes, realizada por el escultor René de Saint-Marceaux.

A principios de los setenta, la compañía vendió el edificio a sus dueños actuales, la aseguradora «Metrópolis». Los antiguos propietarios decidieron llevarse la estatua (por entonces elemento familiar del paisaje madrileño) a su edificio en el Paseo de la Castellana. Finalmente, la estatua fue reemplazada por otra que representa la Victoria Alada, obra de Federico Coullaut Valera; el Fénix original se encuentra ahora en el jardín de la sede de la Mutua Madrileña, en el número 33 del Paseo de la Castellana.

Opened on January 21, 1911, it was awarded by competition and designed by the French architects Jules and Raymond Février for the insurance company La Union and the Phoenix. The final work was carried out by the Spanish Luis Esteve Fernández-Caballero, who finished it in 1910.

On the austere ground floor, the upper floors, in neorrenacimiento style, are adorned with Corinthian columns and entablatures that serve as pedestal to allegorical statues of the Commerce, the Agriculture, the Industry and the Mining of the sculptors Mariano Benlliure, Paul Landowski and De Lambert .

The circular tower is crowned by a dome of slate with gold incrustations, that by its resemblance to the helmet of the firemen is denominated "style Pompier" (fireman in French). Originally, it bore the symbol of the company, an allegorical bronze statue of the Phoenix on which was a human figure with raised arm representing Ganymedes, made by the sculptor René de Saint-Marceaux.

In the early 1970s, the company sold the building to its current owners, the insurer "Metropolis". The former owners decided to take the statue (then familiar element of the Madrid landscape) to his building on the Paseo de la Castellana. Finally, the statue was replaced by another one that represents the Winged Victory, work of Federico Coullaut Valera; The original Phoenix is ​​now in the garden of the headquarters of Mutua Madrileña, at number 33 Paseo de la Castellana.

Cool Bankruptcy pictures

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Some cool personal bankruptcy images:

Vroeger op vrijdag: vanaf V&D
bankruptcy
Image by Peter ( phonepics just) Eijkman
Twee-en drieasserstellen bepalen het beeld in de eerste helft van de jaren ’50. Een naoorlogs stel is web de nog enkelsporige Reguliersbreestraat ingedraaid op lijn 4 of 9 , en een spitsuurstel van lijn 5 heeft op de halte last van ‘trosvorming’ onder de vele passagiers.
Richting CS staan een twee-assig stel van lijn 16 en een drieasser op lijn 25. Bij vertrek naar het section had had hier niet de lijn found het laagste nummer voorrang, maar de tram op het binnenspoor, omdat vanuit het zichtpunt van de bestuurders het lijnnummer van zijn collega niet of heel lastig zichtbaar ended up being. De foto is genomen vanaf het dak van V&D- ook al zo’n verdwenen icoon- en te zien is dat de taxi’s in de hoofdstad ook toen nog allemaal herkenbaar waren aan de blokband- het federatieve hoofdstedelijk taxibedrijf heette zelfs zo.

Foto uit Stadsarchief Amsterdam

Vintage Friday:
Muntplein in ± 1953 with trams on path 9,5, 16 and 25.
Picture obtained from the roof of Holland’s biggest emporium V&D, which moved into personal bankruptcy and closed in 2015.

Area Coast
bankruptcy
Image by Rusty Clark ~ 100K Photos
Tenuous Link: [wedding] bands –> divorces

Cool New Car Loan images

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Check out these new car loan images:

screened
new car loan
Image by new 1lluminati
Why? Lifting the veil: wakey wake key ~
It’s time to awaken from the larval dream. It’s time to emerge from the chrysalis and metamorphose. It’s time to step out of the plastic straitjacket and remove the blindfold tightly tied around body and mind by insecure family, indoctrinating schooling and insincere relationships. It’s time to decide who you really are, what you’re truly here for – and why.

It’s time to ask, “what’s ‘work’, what’s a ‘job’, what’s freedom, and what in hell is everyone doing – and why?” It’s time to stop making non-existent illusory money and garnering disinterested social approval by giving your time and energy to speed the destruction of Planet Earth’s biosphere – time to live a real life in a real living world instead of running a rat race through a pseudo civilisation of loathsome architect-designed concrete toilets in a pointless maze of toxic termite towers.

Yes, yes, you’ve heard it all before and you already know what’s going on. You don’t need to be told. You know what you need to do. You already know how you really could be living, thanks very much. You’ll get around to it in your own sweet time, when you’ve paid off your debts, when your family’s grown up, when you get some free time to pause and change tack, when you retire, when you win the lottery. When you’re good and ready.

Sure, buddy. Sure sis. You’ll get around to doing the right thing when you’re dead – in your next incarnation on a planet you’ve helped to thoroughly degrade and ruin – when you’re reborn in Bangladesh or Mongolia or sub-Saharan Africa, instead of in a better, blessed place where you can actually be free and make a difference, like here and now.

It’s time to find ways to share what remains of our beautiful planet with honour and without guilt. It’s time to decide whether to live a life of truth and beauty or die for a lie you know to be false. You’ve already chosen; your actions and ‘lifestyle’ are your choice, and the time has come to reassess your decisions and remake your destiny.

It’s time to realise why you’ve given yourself such an incredibly rare and privileged life that you actually have the space, mentality and leisure time to sit back and read this little diatribe. Now is the time and you are the person on the spot. You’re the one we need to save the world – now, at this critical juncture betwixt future and past. Living for life or dying for death? Choose. Now.

The system is set up to make you think you’re either on the high road to material success or sliding down a slippery slope to a loser’s failure; yet it’s designed to ensure you fail in the end. ‘Society’ is set up to ensure anything you build or create is taken from you, bit by bit, clod by clod, and stolen from any you choose to bequeath it to. Putrescent obsolescence is built into everything you’re sold and all that you’re told.

In modern all-consuming societies you’re taxed more highly than any ancient feudal serf, and even when you buy something outright you’ve just begun paying for it with the only thing you can ever really own – your time. The time of your life is taxed and stolen by those you vote for on behalf of remote controllers who think they ‘own’ the world. There are plenty of alternatives to their manipulated systems, but they’re all carefully concealed from you.

Most humans base their entire lives – plans, hopes, fears, dreams and strategies – on outdated assumptions programmed into them by brainwashed timeservers. They smother their kids in regimental uniforms and don’t care enough to notice how playtime becomes muted, how minds are restrained and freedom retrained into uniform mindlessness. They follow in the footsteps of torpid dolts and wonder why a regimented life is boringly doleful. Trained to subservience by millennia of feuding feudalists, humankind can only approach absolute truths (and long term survival) by roundabout routes that invariably lead people further astray.

Schooling isn’t education. It’s a system where open minds are successfully closed and everything not forbidden is compulsory. ‘Modern’ schooling ensures that cheats always prosper and that bullies and liars always prevail in the ‘real’ outside world of business and finance. Today’s educational establishments are dopey money factories designed to extort obedient volunteer slaves. No intelligent independent minds are found in them; none can survive there.

Schools, colleges and universities are quagmires of brainwashing, cultural imperialism and mindless training for destructive jobs that will soon cease to exist – training yards designed to serve the momentary needs of industries owned and run by short sighted paranoid sociopaths. They’re the birthplace of hierarchy and corruption. You know it’s true. Any real learning achieved is incidental. Scores and scoring a cushy job where you can lord it over others are everything. Learning and knowledge are secondary, sacrificial goals.

The system is thoroughly rigged by and for the worst elements to make sure that only most egregious people rise to the top of the dung heap and prosper. Only the worst control freaks and insecure jerks with killer ‘instincts’ claw their way to the summit. You know it’s true. There’s no ‘survival of the fittest’ (or even of the most adaptable) involved. Societies aren’t interested in change and evolution, but in security, status and stasis. And sooner or later stasis always means extinction, not survival.

But you can be different. So can your children. Deny the unloving death of blind conformity and confirm a free loving life with every action. Be what you always wanted to be, ’ere it harm none. If you’re well intentioned and wise the multiverse will provide. Choose. Now.

People are bigger than their straightjackets. You have the power to remove any blindfold and widen your vision whenever you choose. You have the ability to concentrate, meditate, cogitate and liberate. Only you can do it. Only you can free yourself, heal yourself, grow and learn. No-one can do it for you and anyone who says they can is a liar you need to avoid. And you have to do these things or die blind, lonely and incomplete before your time.

You’re a psychic immortal who gets precisely what you created. Only when people develop the inner divining and dowsing facilities latently inherent in all conscious beings are they able to discern truth from lies –able to actually tell the truth. You can only be free when you drop all that cultural conditioning and learn to open your inner sight. You can only decide what’s what, what to do and why when you have genuine personal insight.

Welcome to the new Aeon, a time when dangerous old myths can finally be laid to rest and healthier new legends allowed to arise from the ashes of yesterday’s ignorance.

One easy way to learn the truth is to ask two simple questions; ‘Why?’, and ‘Who Profits?’ Keep these liberating queries in mind as you progress onward…

Here’s a handy list of dangerous myths we need to lay to rest (and drive stakes through the hearts of. Repeatedly).

‘What did you do to save the world, daddy/mummy?’

Lie #1: The planet will soak up any mess humans make.

It won’t – not in any timeframe recognisable by you. We’ll all be dead before the planet is repaired and reforested unless WE go out and clean up our messes, stop the destruction of living treasures, replant entire continents of forests and weed and nourish them for generations, starting yesterday. Most brain-deprived, depraved ‘leaders’ seem to think the planet merely needs to be repaved. Don’t fall for their bandaid ‘solutions’. Opt out of death-dealing ‘civilisation’ and help start fresh societies in the green living world beyond the walls.

1b: Trees are a renewable resource. Forests will grow back if we cut them down.

They won’t. They haven’t. When the soil has washed away, the seed stock is gone and rainfall has disappeared (because forests make most of our rain, and store most of our fresh water) you’ve killed all the most interesting, nourishing and beneficial plants and animals and inherit a desert of sand, clay and rocks. It takes centuries for trees to be large enough, with large enough hollows, to support viable animal populations – including humans. Forests without animals are scrubby denuded death zones bereft of nutrients.

Idiots are still cutting down trees for money when there are better, cleaner, cheaper and totally renewable solutions for everything provided by natural forests – for everything except clean water, food and air! Somewhere near you, now, today, a forest is being felled. Help anyone who’s trying to stop them. Now.

Without global forests you’ll have no water fit to drink, no air fit to breathe and no crops to eat. The truth isn’t ‘out there’ – it’s obvious to any who actually look with unblinkered eyes.

Lie #2: Burning toxic fuels with lethal exhausts isn’t dangerous to the ecosystem or to people, and we need to keep doing it to fuel a prosperous civilisation.

It is. We don’t. If you don’t know about better technologies that are already available your head is in the sand with the in dust ‘realists’, looking for another oilfield or coal seam to vampirise. Some advanced nations are already totally fuelled by clean renewable energy. Literally hundreds of patents for new energy technologies are literally suppressed and stolen by ‘intelligence’ and ‘the military’ on behalf of ruthless killer corporations every year. Clean, free energy systems have been available for over a century and repeatedly eliminated, along with their investors (see nexusilluminati.blogspot.com/search/label/free%20energy ). One name should suffice to explain much; Nikola Tesla.

The truth isn’t ‘out there’ – it’s being actively suppressed all around you. Why? The answer is a nested series of onion skins; the Russian dolls of money, control and power wrapped round an inner core of ultimate terrified insecurity.

2b: Human-made global warming is a lie spread by some unnameable group to control our lives and make us poorer.

It isn’t. The fossil fuel power mongers have lied to you so successfully that many or most people have been convinced ecologists have some vested interest in misleading them – instead of the profiteering planet killers who make gazillions from mining and selling you toxic and unnecessary products. CO2 IS a ‘greenhouse gas’, whose levels have dictated global temperatures for billions of years.

Whether we inject enough heat into the biosphere to forestall an impending cyclic ice age or simply create a global desert, every industry that injects carbon dioxide into the biosphere is doing so as a byproduct of pumping far more deadly chemicals into your body all the time, in the interests of meaningless profit. Anyone who tells you otherwise is simply lying or ignorant.

Any time someone tells you that carbon dioxide isn’t a greenhouse gas or that manmade global warming is a lie, challenge them for some data – any real facts – and you won’t get any that aren’t constructs of half-truths, misdirecting distractions and outright lies. Humans ARE heating the planet with toxic emissions regardless of what industry shills and conspiratorial ignoramuses tell you (see nexusilluminati.blogspot.com/search/label/co2 ).

Time for an inconvenient and little-appreciated fact: when climate scientists tell you there will be, say, a five degree Celsius rise in global temperature they’re talking about global averages – including sea temperatures, which will hardly rise at all. A ‘five degree average rise’ means a TEN DEGREE rise – or more – on the land (outside the tropics) – where you and everything that makes it possible for you to survive actually lives. Forget drowning cities and sinking islands – all that will be left is desert and dust if we allow our ‘leaders’ to keep taking bribes from blindly competitive in dust ‘realists’.

There is no truth on the side of profiteering corporations, surprisingly enough – and the only ‘invested interest’ environmentalists have is the wish to survive and thrive. Have you heard of the Precautionary Principle? If you haven’t, google it. The truth isn’t ‘out there’, it’s simple: stop using toxic products fuelled by toxic fuels that make profits for toxic monopolies run by toxic people.

Authorised Docterds
Lie #3: We’re repeatedly informed that ‘education is liberation’. It isn’t. Learning is liberation; education swiftly becomes rote indoctrination. The most dangerous, authoritarian ignoramuses are those who stayed in school the longest. No-one with a doctorate is entirely sane. No-one who demands money in exchange for healing the sick, protecting another’s rights and freedom, repairing the ecosystem or providing education can be trusted; they know nothing of truth and are part of the problem, not the solution. Anyone who profits from another’s misery, toil or terror is actually, functionally, a heartless sociopath.

In ‘advanced’ notions today, more people die from medical errors than from any other cause. Only a few years ago docterds ensured that just about everyone in ‘developed’ notions had organs removed from their bodies ‘just in case’ something went wrong. Every child was expected to have their tonsils and adenoids (lymph glands), appendix and wisdom teeth ‘removed’, just in case their docterd couldn’t afford a flashier car or another mistress. And many an operation led to another, to correct the mistakes made in the first. It was all bullshit and almost everyone fell for it, because, like priests and lawyers, docterds claim a false monopoly on access to life and death and rule only by terror. See hermetic.blog.com/2012/09/16/freeing-god’s-slaves-the-e…

Today fluoridation, toxic vaccines, poisonous drugs and a host of other techniques bestow slow death and perpetual dissolution on the incredibly patient (trusting, ignorant and terrified) patient.
See nexusilluminati.blogspot.com/search/label/fluoridation and nexusilluminati.blogspot.com/search/label/vaccines

Your health and mind are in your hands. Sawbones/surgeons can occasionally be handy in real emergencies but best avoided at all other times. Once in a while you may damage yourself so much you need some repairs, but the only actual healing is done by you, your self, your body. The placebo effect – whereby if you believe something will heal you it will, regardless of whether it has any active ingredients or not – is estimated by reputable sources as being around forty percent – that’s 40%! This means that almost half of all cures are widely accepted as being basically magical –consciousness-driven – in nature. The other sixty percent are as well.

Time for some Truths
Cui Bono? Who Profits? Who is it good for?

Truth #1: Who profits? No-one who doesn’t have another planet or two readily available profits from old style industrial societies. Yet there will always be some deluded power monger willing to kill millions – to wreck an entire planet and civilisation – so that they can have a flashier car or another mansion complex surrounded by bodyguards and electric fences.

There are always those who’ve been so successfully brainwashed they’ll actually believe that Santa Claus, the Tooth Fairy, the Messiah, a Redeemer, a big bearded genocidal racist asshole in the sky, his fallen foes or his mythical toady son are real – and these naïfs make fine prey for patriarchal paedophilic proselytising pederast priests. Who but the most ignorant innocents fall for such superstitious claptrap? Who but an insecure control freak with delusions of grandeur would want to interpose themselves as a middleman between you and your divine psychic heritage?

Anyone who tells you the Divine is only available through some frock wearing po-faced priest, or from some Bronze Age tome cobbled together by merciless barbaric dictators, or through some graven image or guru or savant, is lying. All who ‘worship’ some odd bod god or other fetish are simply trained to doff the forelock, kneel, bow, scrape and be subservient to a dead or deadly psychopathic control freak. Watch out, little girls! Bums to the wall, boys!

Christinanity, Islime and Moronism – to name a few – are nothing more than some of the more recent pernicious death cults focused on lies of pies in the skies at the expense of happy, healthy lives in the only real place – here and now. All other ‘great religions’ are as bad or worse. Religion is a region with a li(e) in it. But they make gigantic tax-free profits! Cui bono?

The truth is always simple. The only beliefs that are true are those that spread life, light, health and diversity – the hallmarks of true survival and wisdom. Everything else is deceptive bullshit.

If you really want to learn how to access the godhead that is the birthright and crown of all beings, all you have to do is listen to the endless programs running through the rat wheel of your mind – and transcend them. Everyone can do it if they try, but the younger and fresher you start deprogramming yourself and tuning into ‘higher’ or ‘deeper’ consciousness the better. See nexusilluminati.blogspot.com/search/label/meditation and nexusilluminati.blogspot.com/search/label/magic if you want to learn how.

Enlightenment will always be available to any true seeker with an open mind and compassionate heart. Guides are always available if you simply search, but accept no substitute for self-gained awareness – and anyone who demands money in exchange for spreading the light of universal awareness is not a person you want anything to do with.

The Lore of the Land

Truth #2: There is no government. There is no law. There are no companies or corporations. Money does not exist. They are fables, illusions, widely accepted truisms – but they aren’t things. They don’t actually exist, except as agreements between people. They have no inherent power. They are clever pernicious illusions.

If you take a closer look you’ll discover that none of your country’s laws has a basis in any fact. In fact, you’ll find that your nation is also merely a notion, a fable agreed to by a sectional segment of some of the people; not all, or even necessarily most, but merely those who profit the most from the fable.

No ‘higher power’ or external ‘divine plan’ or government controls your life. No dog, no master. Thou art god(dess). All human-made laws are simply constructs and contracts, and none are writ in stone. The only real inherent law is the lore or karma and dharma – the ‘golden rule’: Do unto others as you’d be done by. It’s the only law and lore that works, and needs no intercessor or interpreter, no priest, monk, scholar or savant to preserve or transmit through the ages. It’s free for all, forever.

The real Law is no mystery and has no officers. It needs no prophets, liars/lawyers, judges or arbitrators. As above, so below. You are part of a giant hologram, where the whole is greater than the sum of its parts and every part contains the whole. In a holographic universe where everyone shares the same consciousness, anything you do to or for anyone else is something you do to or for your self.

Don’t kid yourself that ‘good deeds for others will reap rewards’. Of course they will. But anything you do for your children, family or strangers you’re actually doing for yourself. Caring about your family more than anyone else is perfectly understandable on a mechanical, biological and genetic level – but it’s also the basis for the worst traits of humankind. Racism, genocide, slavery and most forms of discrimination are outgrowths of such ‘love’, which is actually selfish at its root. Everyone is your family.

In fact, everyone is you, and you are everyone, for thou art god(dess), recreating the manifest world from instant to moment at a level beyond and behind linguistic thought.

Abundance and Scarcity: It’s Falseconomy, Stupid!

Truth #3: Money doesn’t exist. It’s a global pyramid scam whereby only the first ones in get to the top of the pyramid – everyone else loses. We have the ability to provide everyone on the planet with enough food, water and shelter – but we don’t appear to have enough of an entirely imaginary commodity to do it with. Something is very wrong.

The ‘science’ of economics is bullshit, as any true scientist can tell you. Arbitrary rules are continually altered and no ‘economist’ can make accurate predictions based on ‘economics’. It’s just another scam to make you think ‘authorities’ know what they’re doing and can be trusted to look after your best interests. Lol.

Money is simply invented. It’s created at the flick of a keyboard. It’s all made up; simply invented by (in)vested interests with ‘interest’. When the illusion is so arranged as to make it appear the ‘economy’ is circling the drain you go down the tubes – but the banksters, monarchs and in dust realists who own actual, tangible things don’t, as we all ought to recognise. This happens regularly and repeatedly. I won’t go on – see nexusilluminati.blogspot.com/search/label/banksters and never take out a loan. Don’t use banks. There are plenty of alternatives.

Become as self-sufficient and live as sustainably as possible.

People are told they must pay money to inhabit a patch of the planet, and because they’ve been trained to accept a vast raft of lies by feudal societies run by hideous robber barons surrounded by gunmen they simply accept it.

People are told they must go to school and work every day to provide enough food, water, shelter and entertainment for themselves and their families. It’s a lie. That only has to happen because we’ve allowed industrious robber barons and banksters to steal everything and arrange it that way when we have a wide choice of much better possibilities. Now, at the dawn of the Third Millennium, the new industrious revolution has begun and advancing automation, nanotech and new processed like 3d printing mean that the jig is up. Full ‘employment’ is no longer possible or desirable. Now we have to provide shelter, food, water, transport and other necessities to everyone, even the rich, for free – because now, at last, we can!

If you work at any job that isn’t actively healing the planet you’re almost certainly actively destroying it. If you go into debt you’re destroying it. If you flush a toilet into a river or ocean, if you use fossil fuelled transport to and from work or to power your home (and nuclear fuels are fossil fuels, too) you’re destroying it. If you aren’t growing at least some of your own food and medicine you’re destroying it. If you leave your kids in some regimented school (or even a childcare centre) to be mindlessly raised to do and be the same as you were brainwashed into, you’re destroying it – and them.

If you’re trapped on a treadmill with no easy way out but to simply jump off and take your chances – JUMP OFF.

You’ll be so glad you did!

Competitiveness = Death Dealers

Truth #4: The ‘killer instinct’ is no instinct – it’s a result of training. Bullies and psychopaths are made, not born – and they can be unmade if you catch, restrain and retrain them early enough. Without bullying children don’t learn hate, fear and fight. Without bullies children don’t learn to be subservient. Bullies must be separated from other kids until they can be trusted among them. The same is true for adults.

The only reason to have a gun is to murder. They’re made for no other reason. They’re the coward’s long distance death dealing weapon of choice. Only people terrified of their neighbours own guns – and that, of course, terrifies their neighbours. Violence begets violence and weapons beget weapons. They’re feedback loops. Weapon ownership is always an arms race, the stupid doctrine of Mutually Assured Destruction writ small for small minded loony hoons, terrified cowards and immature halfwits who like to menace others. Anyone who wants a gun – like anyone who wants a presidency – is precisely the person you don’t want to trust with one.

Allowing gun ownership in human society is just a form of collective lunacy. No popguns will save you from a modern army – or government swat team. They’ll just get you killed more quickly and assuredly. That’s the real lesson of modern history, for anyone who cares to look; don’t fall for the lies of weapon profiteers. In modern conflicts the survivors are those who successfully avoid the fighting. Save your money and save a life; you can’t have peace with a gun in your hand and it’s almost certain that no-one will aim one at you if you don’t. War or peace; you can’t serve two masters. Choose. Now.

All free societies have a fine time without weaponised populations perpetually living under a Sword of Damocles. The US, for instance, is not a free society but a corporatocracy that’s had its freedoms surgically removed since neoconmen ensured King George II stole the (p)residency. Freedom is free. How could it be otherwise? If you have to do something to defend or promote ‘freedom’, it isn’t freedom and you aren’t free. The contrary view is oxymoronic absurdity.

Flags are just coloured rags used to blindfold sacrificial lambs and enshroud their mangled bodies. Wars are always fought to enrich a few cowardly, spiteful old dorks and their trophy girlfriends hiding in some castle or penthouse. There is no honour involved in killing – it’s simply the worst form of working for The Man.

The only people who profit from wars and weapons are weapon makers, ammunition merchants, oil barons and the politicians they coerce and bribe. No-one who kills for a wage is anything but a (poorly) paid killer. This includes virtually all soldiers – not just mercenaries – and everyone who makes a profit from raising, hunting or killing animals for food.

You may have fallen for the bullshit that humans need to eat corpses to be healthy. The opposite is true. No-one (regardless of blood type or haplogroup) needs meat to survive. It’s a choice, a habit, an appetite – an addiction, nothing more.

Cattle and ‘meat animals’ are condemned to lives of pain and torture. They’re castrated, poisoned, fed garbage, corralled into cages, beaten, shocked and terrified into submission (rather like modern domesticated primates). If you saw what happens to animals before they end up in your mouth you wouldn’t touch the poisons collected at the top of the food chain and pump them through your bloodstream. Most young kids vomit the first time they’re fed eggs or meat. Ever wonder why?

Before you accept the lie that ‘vegetarians kill too – everything kills to survive’, consider that eating the fruits, vegetables and seeds of plants doesn’t kill any plant. The plant lives on, and reproduces. Just on more lie told by profiteers; one more unexamined false assumption.

If you choose to create endless unnecessary suffering by slaughtering innocent, terrified animals you deserve all that’s coming to you. Remember that ‘karma’ thing? Choose. Now.
See nexusilluminati.blogspot.com/search/label/vegetarianism

The Road to Hell is Paved with False Assumptions

When we’re kids we all ask, “Why?” Some kids mean, “Why does it work like that?” Others are asking, “Why on Earth would people do something so stupid?”

Bereft of imagination, in dust ‘realists’ force everyone to inhabit their bland, artless, heartless concrete toilets – blocky headstones designed by award winning wannabes and built by money-mastered so called craftsmen. Chintzy malls and ugly mausoleums masquerading as a civilisation. We can do much, much better.

Everything we’ve built has foundations of clay. All our sciences, beliefs and political systems are based on antiquated false assumptions; on lies, to be absolutely clear. Truth is always in here, within, waiting to be recognised by a freshly awakening mind. It isn’t going anywhere – unlike the outmoded scams perpetuated by a dying breed of conmen and the pernicious women hiding behind their thrones.

You’d think they’d know by now – you can service two mistresses but you can’t serve two masters! Life or Mammoney: Choose! Now!

It’s beyond the scope of this little entreaty to cover all these bases in detail – but they’re all explored in more (and more) depth at this website: become one of the New Illuminati by perusing truths and subscribing via one of the many ways available @ nexusilluminati.blogspot.com/

– Welcome to the New Millennium and have a great New Aeon
R. Ayana

For more by R, Ayana see nexusilluminati.blogspot.com/search/label/r.%20ayana
– See ‘Older Posts’ at the end of each section

From nexusilluminati.blogspot.com.au/2013/06/why-lifting-veil-…

Cool Credit Rating pictures

Published / by webmaster

Look into these credit score images:

Kookaburras
credit rating
< img alt=" credit history rating" src=" https://www.free-credit-report.net/wp-content/uploads/2017/04/2555451906_9266de66fb.jpg" width=" 400"/ > Photo by< a href=" http://www.flickr.com/photos/24785917@N03/2555451906" >
Giant Gallery Collection Format: Glass plate unfavorable.

Civil liberties Details: No understood constraints on publication.

Repository: Tyrrell Photographic Collection, Powerhouse Gallery < a href=" http://www.powerhousemuseum.com/collection/database/collection=The_Tyrrell_Photographic" > www.powerhousemuseum.com/collection/database/collection=The_Tyrrell_Photographic Component Of: Giant Museum Collection General info regarding the Powerhouse Museum
Collection is readily available at< a href =" http://www.powerhousemuseum.com/collection/database" > www.powerhousemuseum.com/collection/database Persistent LINK:< a href=" http://www.powerhousemuseum.com/collection/database/?irn=28382" > http://www.powerhousemuseum.com/collection/database/?irn=28382 Procurement credit scores line: Present of Australian Consolidated Press under the Taxes Incentives for the Arts Scheme, 1985 Glaciers as well as Water level Surge< img alt=” credit report score “src =” https://farm8.staticflickr.com/7287/8742463970_ccc80bf7e4.jpg” size =” 400 “/ >

Image by< a href=" http://www.flickr.com/photos/24662369@N07/8742463970" > NASA Goddard Picture and Video Calving front of the Upsala Glacier( Argentina). This glacier
has actually been thinning and pulling away at a fast rate during the last years– from 2006 to 2010, it declined 43.7 yards( 40 meters) annually. Throughout summer season 2012, large calving occasions protected against boat accessibility to the glacier. To find out about the contributions of glaciers to sea degree surge, check out:< a href =" http://www.nasa.gov/topics/earth/features/glacier-sea-rise.html "rel=" nofollow" > www.nasa.gov/topics/earth/features/glacier-sea-rise.html Credit scores: Etienne Berthier, Université de Toulouse< a href= "http://www.nasa.gov/audience/formedia/features/MP_Photo_Guidelines.html" rel=" nofollow" > NASA photo usage policy.< a href=" http://www.nasa.gov/centers/goddard/home/index.html" rel=" nofollow" > NASA Goddard Area

Trip Facility enables NASA’s goalwith 4 clinical endeavors: Planet Scientific research, Heliophysics, Planetary system Exploration, as well as Astrophysics. Goddard plays a leading role in NASA’s achievements by adding compelling scientific expertise to advance the Company’s goal. Follow us on< a href=" http://twitter.com/NASA_GoddardPix" rel=" nofollow ” > Twitter Like us on< a href=" http://www.facebook.com/pages/Greenbelt-MD/NASA-Goddard/395013845897?ref=tsd" rel=" nofollow" > Facebook Find us on< a href=" http://instagram.com/nasagoddard?vm=grid" rel=" nofollow"

> Instagram Aurora Time-Laps from the

ISS< img alt=" debt ranking" src
credit rating
=” https://www.free-credit-report.net/wp-content/uploads/2017/04/6174627569_1e5430cd94.jpg” size=” 400″/ > Image by< a href=" http://www.flickr.com/photos/24662369@N07/6174627569" > NASA Goddard Image as well as Video clip This gorgeous view of the aurora was taken from

the International Spaceport station as it went across over the southerly Indian Ocean on September 17, 2011. The time-laps made from still photos spans the moment period from 12:22 to 12:45 PM ET. While aurora are usually seen near the posts, this aurora showed up at lower latitudes as a result of a geomagnetic tornado– the insertion of energy into Earth’s magnetic environment called the magnetosphere– triggered by a coronal mass ejection from the sunlight that appeared on September 14. The tornado was a modest one, rated with exactly what’s called a KP index of 6 on a range that goes from 0 to 9, triggered by simply a glimpsing strike from the CME. As fragments from the incoming CME removaled right into the magnetosphere they traveled around to the rear end– or night side, since it gets on the other side from the sun– of Earth and afterwards funneled down onto Earth’s posts as well as reduced. As the bits pestered oxygen and also nitrogen in the atmosphere, the atoms launched a photon of light that we view as the lovely shades of the aurora. Credit report: NASA< a href="http://www.nasa.gov/audience/formedia/features/MP_Photo_Guidelines.html" rel =" nofollow” > NASA image use plan.

< a href=" http://www.nasa.gov/centers/goddard/home/index.html" rel=" nofollow" > NASA Goddard Area Flight Center allows NASA’s objective through 4 scientific undertakings: Planet Scientific research, Heliophysics, Planetary system Exploration, and Astrophysics. Goddard plays a leading duty in NASA’s accomplishments by contributing compelling clinical expertise to advance the Firm’s mission.

Follow us on < a href=http://” http://twitter.com/NASA_GoddardPix” rel=” nofollow” > Twitter Like us on< a href=" http://www.facebook.com/pages/Greenbelt-MD/NASA-Goddard/395013845897?ref=tsd" rel=" nofollow" > Facebook Locate us on< a href=" http://instagrid.me/nasagoddard/?vm=grid" rel=" nofollow" > Instagram

Cool Great Credit images

Published / by webmaster

Take a look at these great credit history photos:

Pay attention; there’s a hell of a good
good credit
< img alt=" excellent debt" src=" https://www.free-credit-report.net/wp-content/uploads/2017/04/33406153031_6df55cda19.jpg" size=" 400"/ > Image by< a href=" http://www.flickr.com/photos/49503156828@N01/33406153031" >
gusdiaz universe next door: let’s go. ~ e. e. cummings ✨ ✨ Supply Credit score: Northern Lights( esveeka-stock) from DevianArt & & Rocks & man (unsplash). Everything else is mine.

Processed with VSCO with hb1 preset

~ Refraction ~
good credit
< img alt=" good credit history" src=" https://www.free-credit-report.net/wp-content/uploads/2017/04/3369117014_675f1d5256.jpg" size=" 400"/ > Photo by< a href=" http://www.flickr.com/photos/12187843@N07/3369117014" > ViaMoi ~ a ball refracts a scene ~ Concerning 60 chrome spheres lined up on a showing golden surface, and also I positioned a really huge chrome one in the back reflecting onward. One glass sphere turning the scene as you check out. Texture given by great close friend< a href= "http://www.flickr.com/photos/spiritual_marketplace/" > Eddi 07 and also she’s got a big selection of textures readily available free to use, with proper debt and web links naturally.< a href=" http://www.flickr.com/photos/spiritual_marketplace/sets/72157604604898332/" > Have a look at the structure establish right below …< a href=" http://www.flickr.com/photos/viamoi/3369117014/sizes/o/" >

Larger dimension below …

Had a few actually active minutes in time over the previous couple of days and currently expecting Friday as well as the weekend.
TGIF everyone, and also have a remarkable & & safe day with whatever you’re doing.
BIG HELLO from Ottawa, Canada

Bumped and also organized 7:00 am Friday morning EST

Cool Credit Fraud images

Published / by webmaster

A few nice credit fraud images I found:

2006-12-15 – KC-Artspace – Cryptozoology-0107
credit fraud
Image by smiteme
From the exhibition Cryptozoology: Out of Time Place Scale, as shown at the Kansas City Art Institute’s Artspace, October 28 – December 20, 2006:

A marginalized practice or a farcical adventure, cryptozoology is the quest for unknown, rumored, or hidden animals. Three themes are traced through the exhibition and catalog: Artists, Adventurers, Environmentalists; History of Science, Taxonomy, Dioramas, and Museum Displays; and Pop Culture, Myth, Spectacle, and Fraud. The exhibition is organized by the H&R Block Artspace at the Kansas City Art Institute and Lewiston Maine’s Bates College Museum of Art.

The exhibition is curated by Mark H. C. Bessire and Raechell Smith and organized by the Bates College Museum of Art and H & R Block Artspace.

Artists include: Rachel Berwick, Sarina Brewer, Walmor Correa, Mark Dion, Sean Foley, Ellen Lesperance, Robert Marbury, Jill Miller, Vic Muniz, Jeanine Oleson, Rosamond Purcell, Alexis Rockman, Marc Swanson, Jeffrey Vallance and Jamie Wyeth.

————–

V for Vegan: www.easyvegan.info > Banner Credits

Karma

The Thylacine

was the largest known carnivorous marsupial of modern times. It is commonly known as the Tasmanian Tiger (because of its striped back), the Tasmanian Wolf, and colloquially the Tassie (or Tazzy) Tiger or simply the Tiger. Native to continental Australia, Tasmania and New Guinea, it is thought to have become extinct in the 20th century. It was the last extant member of its genus, Thylacinus, although several related species have been found in the fossil record dating back to the early Miocene.

The Thylacine became extinct on the Australian mainland thousands of years before European settlement of the continent, but it survived on the island state of Tasmania along with several other endemic species, including the Tasmanian Devil. Intensive hunting encouraged by bounties is generally blamed for its extinction, but other contributory factors may have been disease, the introduction of dogs, and human encroachment into its habitat. Despite its official classification as extinct, sightings are still reported. […]

The last captive Thylacine, later referred to as "Benjamin" (although its sex has never been confirmed) was captured in 1933 and sent to the Hobart Zoo where it lived for three years. […] This Thylacine died on 7 September 1936. It is believed to have died as the result of neglect—locked out of its sheltered sleeping quarters, it was exposed to a rare occurrence of extreme Tasmanian weather: extreme heat during the day and freezing temperatures at night. This Thylacine features in the last known motion picture footage of a living specimen: 62 seconds of black-and-white footage showing it pacing backwards and forwards in its enclosure in a clip taken in 1933 by naturalist David Fleay. National Threatened Species Day has been held annually since 1996 on 7 September in Australia, to commemorate the death of the last officially recorded Thylacine. […]

The Thylacine held the status of endangered species until 1986. International standards state that any animal for which no specimens have been recorded for 50 years is to be declared extinct. Since no definitive proof of the Thylacine’s existence had been found since "Benjamin" died in 1936, it met that official criterion and was declared officially extinct by the International Union for Conservation of Nature.

In December ’06, Shane and I caught the exhibit Cryptozoology: Out of Time Place Scale at the Kansas City Art Institute’s Artspace. While most of the pieces dealt with cryptids – animals thought, but not proven to exist – one exhibit caught my eye.

In front of a projection screen sat a statute of the Tasmanian Tiger (pictured below). There playing, on a never ending loop, was the 62 seconds of Benjamin’s life immortalized on film. 62 long, lonely seconds, spent pacing – in what? Frustration? Anger? Sadness? Boredom? Heartbreak? Only to die of human neglect, one of the last of her kind. I found the footage haunting then; I still do, upon recollection.

As an atheist, I don’t believe in unprovable religious concepts like karma. As an animal advocate, I sometimes wish I did.

2006-12-15 – KC-Artspace – Cryptozoology-0109
credit fraud
Image by smiteme
From the exhibition Cryptozoology: Out of Time Place Scale, as shown at the Kansas City Art Institute’s Artspace, October 28 – December 20, 2006:

A marginalized practice or a farcical adventure, cryptozoology is the quest for unknown, rumored, or hidden animals. Three themes are traced through the exhibition and catalog: Artists, Adventurers, Environmentalists; History of Science, Taxonomy, Dioramas, and Museum Displays; and Pop Culture, Myth, Spectacle, and Fraud. The exhibition is organized by the H&R Block Artspace at the Kansas City Art Institute and Lewiston Maine’s Bates College Museum of Art.

The exhibition is curated by Mark H. C. Bessire and Raechell Smith and organized by the Bates College Museum of Art and H & R Block Artspace.

Artists include: Rachel Berwick, Sarina Brewer, Walmor Correa, Mark Dion, Sean Foley, Ellen Lesperance, Robert Marbury, Jill Miller, Vic Muniz, Jeanine Oleson, Rosamond Purcell, Alexis Rockman, Marc Swanson, Jeffrey Vallance and Jamie Wyeth.

————–

V for Vegan: www.easyvegan.info > Banner Credits

Karma

The Thylacine

was the largest known carnivorous marsupial of modern times. It is commonly known as the Tasmanian Tiger (because of its striped back), the Tasmanian Wolf, and colloquially the Tassie (or Tazzy) Tiger or simply the Tiger. Native to continental Australia, Tasmania and New Guinea, it is thought to have become extinct in the 20th century. It was the last extant member of its genus, Thylacinus, although several related species have been found in the fossil record dating back to the early Miocene.

The Thylacine became extinct on the Australian mainland thousands of years before European settlement of the continent, but it survived on the island state of Tasmania along with several other endemic species, including the Tasmanian Devil. Intensive hunting encouraged by bounties is generally blamed for its extinction, but other contributory factors may have been disease, the introduction of dogs, and human encroachment into its habitat. Despite its official classification as extinct, sightings are still reported. […]

The last captive Thylacine, later referred to as "Benjamin" (although its sex has never been confirmed) was captured in 1933 and sent to the Hobart Zoo where it lived for three years. […] This Thylacine died on 7 September 1936. It is believed to have died as the result of neglect—locked out of its sheltered sleeping quarters, it was exposed to a rare occurrence of extreme Tasmanian weather: extreme heat during the day and freezing temperatures at night. This Thylacine features in the last known motion picture footage of a living specimen: 62 seconds of black-and-white footage showing it pacing backwards and forwards in its enclosure in a clip taken in 1933 by naturalist David Fleay. National Threatened Species Day has been held annually since 1996 on 7 September in Australia, to commemorate the death of the last officially recorded Thylacine. […]

The Thylacine held the status of endangered species until 1986. International standards state that any animal for which no specimens have been recorded for 50 years is to be declared extinct. Since no definitive proof of the Thylacine’s existence had been found since "Benjamin" died in 1936, it met that official criterion and was declared officially extinct by the International Union for Conservation of Nature.

In December ’06, Shane and I caught the exhibit Cryptozoology: Out of Time Place Scale at the Kansas City Art Institute’s Artspace. While most of the pieces dealt with cryptids – animals thought, but not proven to exist – one exhibit caught my eye.

In front of a projection screen sat a statute of the Tasmanian Tiger (pictured below). There playing, on a never ending loop, was the 62 seconds of Benjamin’s life immortalized on film. 62 long, lonely seconds, spent pacing – in what? Frustration? Anger? Sadness? Boredom? Heartbreak? Only to die of human neglect, one of the last of her kind. I found the footage haunting then; I still do, upon recollection.

As an atheist, I don’t believe in unprovable religious concepts like karma. As an animal advocate, I sometimes wish I did.

Auto insurance fraud bust
credit fraud
Image by CA Dept of Insurance
CA. Dept. of Insurance
(photo credit: Jayne Lucas)