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Teri Garr, Star Trek TOS, “Assignment: Earth,” 1968
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Image by classic_film
Celebrity Trek: Season 2, Episode 26, "Assignment: Earth"
Original U.S. broadcast time: March 29, 1968

Synopsis, via IMDb:
While back in its history observing world in 1968, the business crew encounters the mysterious Gary Seven who may have their own schedule on the planet.

This bout of "Star Trek" showcased guest stars Robert Lansing (Summer 5, 1928 – October 23, 1994) and Teri Garr (b. December 11, 1947, billed as Terri Garr).

Some trivia concerning this "Star Trek" event, via IMDb:
The original draft script was not a "Star Trek" task. Gary Seven had been an Earthman through the future who had been delivered back with time to combat the Omegans, an evil alien individuals who’d perfected time vacation. "Assignment: Earth" ended up being written to introduce a hoped-for spin-off number of exactly the same title which never materialised. The show might have featured Robert Lansing as Gary Seven, Barbara Babcock as Isis, and Teri Garr as Roberta Lincoln. In brand new show, the intrepid trio could have worked to be sure mankind realized the future glimpsed via the "Star Trek" characters and Seven’s mystical extraterrestrial information.
 
This event features one of the first utilizes of stock footage of this very first test launch for the Saturn V moon rocket in November 1967.
 
Barbara Babcock supplied the vocals of the Beta-5 computer system, as well as the pet Isis’ vocalisations. But Victoria Vetri, Playboy Playmate of 1968, portrayed Isis in individual form. Had the show gone into production, it isn’t understood whether Vetri would-have-been designed for the spin-off.
 
Spock mentions all activities which are to happen on that day the Enterprise travelled back in time to the 20th century and met Gary Seven. Among the list of occasions mentioned was an important political murder. Since it turned out, there have been fundamentally two important governmental assassinations in 1968: only six times next event broadcast on March 29, 1968, Reverend Martin Luther King Jr. was shot and killed in Memphis, Tennessee on April 4, 1968, and two months later on, on June 6, 1968, Senator Robert F. Kennedy was killed in la, Ca from the evening which he won the Ca Democratic presidential primary.
 
Three black colored cats were utilized when it comes to part of Isis.
 
No scenes because of this event were in fact shot at Cape Kennedy it self. The impression to be in Florida ended up being achieved by using a mix of stock footage and Paramount studio areas.
 
The aliens which Gary Seven signifies call by themselves "The Aegis" – another term for "shield". Gary’s tool/weapon is known as a "servo". The Marvel Comics, fictional company S.H.I.E.L.D. (Strategic Hazard Intervention, Espionage & Logistics Directorate) was portrayed as S.E.R.V.O., which appears like "brain" (cerveau) in French.
 
Gary Seven’s "servo" can be used within event with techniques maybe not unlike physician who is "sonic screwdriver," which have been ‘invented’ for the now-famous BBC series just a couple of years earlier in the day. Whether this is coincidence and/or writers had some understanding of physician that’s now-iconic device is unknown.
 
While during the launch base and showing his ID to the safety person, Mr. Seven shows a nationwide protection Agency credential card. The NSA was one of several worst held government secrets, but was not openly acknowledged until nearly 25 many years after this episode initially broadcast.

********
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Just how performed we manage before we could pay at pump??? some body like Sarah could have really needed to communicate with the individuals on fuel section. Ah development!
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Image by colorblindPICASO
Really… in so far as I kid i am in the same way bad as the girl. I will not even AVOID basically never see bank card visitors during the fuel pump.

Cool Credit history Information images

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A couple of good credit rating reports pictures I discovered:

Free Credit report Record
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< img alt=" credit rating reports" src=" https://www.free-credit-report.net/wp-content/uploads/2017/07/30234263641_421d350098.jpg" size=" 400"/ > Picture by< a href= " http://www.flickr.com/photos/144008357@N08/30234263641" > Got Credit report Free Credit score Record Please do not hesitate to use this photo that I have actually created on your site or blog site. If you do, I ‘d greatly appreciate a web link back to my blog as the source: GotCredit.com Example: Picture by
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Many thanks!
Jake Rustenhoven

Representations @ Keppel Bay
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< a href=" http://www.reflectionsatkeppelbay.com.sg/" rel="

nofollow” > Reflections at Keppel Bay Shot from the
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Credit history Report # 2
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2. Pictures on debt reporting, reports, racking up, and also credit history. Free to use this photo please reference the image credit history to ComplexSearch< a href=" http://www.complexsearch.com" rel=" nofollow" > www.complexsearch.com.
Example: [Image Debt: ComplexSearch]

Cool Totally Free Credit History Gov photos

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141022-A-IQ085-026
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Image by U.S. Army Alaska
FORT WAINWRIGHT, Alaska – United States Army Alaska presented the Non-Commissioned Officer and Soldier of one-fourth Luncheon at Fort Wainwright’s Northern Lights Chapel, Oct. 22, 2014.

The guest speaker, USARAK Command Sgt. Maj. Terry D. Gardner, honored those selected as the top NCO and Soldier regarding the USARAK forces at Fort Wainwright for the 3rd and 4th quarters. With all the Stryker brigade’s large instruction op-tempo, a future nationwide Training Center rotation, and a myriad of other post and device activities, the recognition for just two quarters was combined into one ceremony.

“To be truthful, I happened to ben’t sure we would fully grasp this thing going,” Gardner stated. “nevertheless when they said that it was taking place today, I had which will make this travel.”

After thanking everybody else to take time from their particular busy schedules to go to, he recognized distinguished visitors and sponsors from the district. Representatives of Alaska delegates from regional Fairbanks Offices included Tom Moyer, local Director for Senator Mark Begich, Althea St. Martin, Special Assistant for Senator Liza Murkowski, and Sydney McIntosh Intern- Governor’s Office representing Governor Parnell.

Gardner additionally took a second to say their gratitude on united states of america Army Association, the 9th Army Band plus the local “Jackie Of All investments” full-service catering.

Handling the Non-Commissioned Officers and troops associated with the 3rd and 4th Quarter, their motif was about what it indicates is a hero. “During my eyes,” Gardner stated, “to be a United States service user, and be counted one of the better for the reason that team, enables you to a hero in truest feeling of that term.”

Asking younger leaders to take into account what their legacy would-be, as “Soldiers when you look at the greatest army when you look at the history of the entire world,” Gardner included: “We inherited a rich record, and now we are obligated to transport that forward.”

Designated once the best of the best, he provided all of them a call to action.

“Each people is a component of an elite band of heroes that have put service to our country over self or family members. You have committed you to ultimately causeing the world a far better, less dangerous and much more calm location, now and for generations to come,” Gardner said. “We require you to instill that pride within soldiers.”

Congratulating all of them once more for winning such a difficult competition, he awarded all the four Soldiers an Army Commendation Medal.

The Non-Commissioned Officer of third and 4th one-fourth were Sgt. Daniel P. Powell, C Company, 1st Battalion, 24th Infantry Regiment, 1st Stryker Brigade fight Team, 25th Infantry Division, and Sgt. Rhea J. Pettaway, the 539th Transportation business, the 25th Brigade Support Battalion, 1-25th SBCT.

Sgt. Powell, originally from Santa Cruz, Ca, joined up with the army during 2009. He has got been on energetic responsibility for 5 years, and then he reenlisted to come quickly to Fort Wainwright. Not only is it a Squad Leader, their responsibilities consist of being a Unit Movement Officer, Scout and Senior Sniper part chief. He could be at this time seeking a degree in Wildlife control through the University of Alaska Fairbanks, in which he holds a 4.0 GPA. His targets feature getting promoted to team Sergeant and attending Ranger School, in which he plans to stay on active responsibility until he is able to retire from armed forces.

Sgt. Pettaway, originally from San Fernando, California, joined the military in 2007. Her task niche is engine Transport Operator, and her very first assignment would be to Camp Casey, Southern Korea. She after that served at Fort Hood, Tx, and was deployed to Kirkuk Iraq as a Security Platform Driver within the fast Reaction power there. After redeploying, she asked for to get to Fort Wainwright, Alaska. She is currently focusing on an internet degree in Healthcare Administration through the University of control and tech in Arlington, Virginia.

The Soldiers of 3rd and 4th one-fourth were Pfc. Tyee C. Yucupisio, C Company, 1-24th Infantry Regiment, and recently promoted, Sgt. Jonathan Hunt, C Business 1st Battalion, fifth Infantry Regiment.

Pfc. Yucupisio was born in Coolidge, Arizona. He graduated from highschool last year and joined the army in May 2013. This might be their very first assignment. He keeps a posture as rifleman and grenadier, in which he recently obtained the utmost effective scores in his platoon from the Army health and fitness Test. Their programs feature getting a diploma in Computer Science and aspiring to someday be a Sergeant significant

Sgt. Jonathan Hunt became an NCO October 1, 2014. Originally from Denver Colorado, he joined up with the Army in 2012 as an Infantryman. Fort Wainwright is his very first task project, in which he functions as a Team chief. Their goals consist of residing in the military and planning to Airborne and Ranger School. He plans on working towards a qualification in Criminal Justice and it is shooting the ranking of Sergeant top class.

Together with the Association of this United States Army, various other neighborhood frontrunners were present to offer tiny tokens of the gratitude in recognition for the outstanding efforts and employment well done. The type of attending was Timothy Jones, representing Doyon Utilities in Fairbanks, who provided each Soldier with a gift card and an urgent situation automobile system.

Totally free AUSA subscriptions, Certificates of Achievement, ball hats, Leatherman resources, a novel of Photographs of Alaska, and monetary gifts received aswell. We were holding provided by Bill Brophy from the Usibellli Foundation, Command Sgt. Maj. Travis D. Votaw, representing the Arctic Sgt. Maj. Association, and also other visitors through the Community Spouses Club, MAC Federal Credit Union and Design Alaska.

141022-A-IQ085-030
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Image by U.S. Army Alaska
FORT WAINWRIGHT, Alaska – US Army Alaska presented the Non-Commissioned Officer and Soldier of this one-fourth Luncheon at Fort Wainwright’s Northern lighting Chapel, Oct. 22, 2014.

The visitor speaker, USARAK Command Sgt. Maj. Terry D. Gardner, recognized those chosen since the top NCO and Soldier associated with USARAK causes at Fort Wainwright for both the third and 4th quarters. With all the Stryker brigade’s large training op-tempo, an upcoming nationwide Training Center rotation, and an array of other post and product activities, the recognition for just two quarters ended up being combined into one ceremony.

“To be truthful, I becamen’t certain we would get this thing going,” Gardner stated. “however when they explained it was happening these days, I experienced in order to make this trip.”

After thanking everybody when planning on taking time from their hectic schedules to go to, he respected distinguished friends and sponsors from neighborhood. Representatives of Alaska delegates from neighborhood Fairbanks workplaces included Tom Moyer, local Director for Senator Mark Begich, Althea St. Martin, Special Assistant for Senator Liza Murkowski, and Sydney McIntosh Intern- Governor’s workplace representing Governor Parnell.

Gardner also took an instant to say his appreciation to the usa Army Association, the 9th Army Band as well as the neighborhood “Jackie Of All Trades” full-service catering.

Dealing with the Non-Commissioned Officers and Soldiers of the 3rd and 4th Quarter, his motif ended up being on which this means becoming a hero. “During my eyes,” Gardner stated, “to be a United States service member, and to be counted the best for the reason that team, makes you a hero in truest feeling of that term.”

Asking youthful frontrunners to consider what their particular legacy could be, as “Soldiers into the greatest army within the history of the planet,” Gardner added: “We inherited a rich history, and we tend to be obligated to transport that forward.”

Designated due to the fact best of the best, he gave all of them a proactive approach.

“Each of you is part of at the very top band of heroes with put solution to your country over self or family. You have got devoted yourself to causeing the globe a far better, less dangerous and more calm destination, today as well as future generations,” Gardner stated. “We need you to instill that pleasure within soldiers.”

Congratulating them again for winning these types of a difficult competitors, he awarded each of the four Soldiers an Army Commendation Medal.

The Non-Commissioned Officer of 3rd and 4th Quarter had been Sgt. Daniel P. Powell, C business, first Battalion, 24th Infantry Regiment, first Stryker Brigade overcome Team, 25th Infantry Division, and Sgt. Rhea J. Pettaway, the 539th transport business, the 25th Brigade help Battalion, 1-25th SBCT.

Sgt. Powell, originally from Santa Cruz, Ca, joined up with the military last year. He’s got already been on energetic responsibility for 5 years, and he reenlisted to get to Fort Wainwright. Not only is it a Squad Leader, his responsibilities feature being a Unit action Officer, Scout and Senior Sniper Section chief. He’s at this time pursuing a qualification in Wildlife Management from University of Alaska Fairbanks, in which he holds a 4.0 GPA. Their goals feature getting promoted to team Sergeant and attending Ranger School, and then he intends to stick to active responsibility until he can retire from army.

Sgt. Pettaway, originally from San Fernando, Ca, joined up with the military in 2007. The woman task specialty is Motor Transport Operator, and her first assignment was to Camp Casey, Southern Korea. She after that served at Fort Hood, Texas, and ended up being implemented to Kirkuk Iraq as a Security system Driver as part of the Quick response energy there. After redeploying, she requested to come to Fort Wainwright, Alaska. She’s currently taking care of an online degree in medical Administration through the University of Management and tech in Arlington, Virginia.

The Soldiers regarding the 3rd and 4th one-fourth were Pfc. Tyee C. Yucupisio, C Company, 1-24th Infantry Regiment, and recently promoted, Sgt. Jonathan Search, C Business 1st Battalion, fifth Infantry Regiment.

Pfc. Yucupisio was born in Coolidge, Arizona. He graduated from senior high school in 2011 and joined up with the military in-may 2013. This will be their first project. He holds a posture as rifleman and grenadier, in which he recently obtained the very best ratings in the platoon in the Army conditioning Test. Their plans include getting a diploma in Computer Science and aspiring to someday come to be a Sergeant significant

Sgt. Jonathan Hunt became an NCO October 1, 2014. Originally from Denver Colorado, he joined the Army in 2012 as an Infantryman. Fort Wainwright is his first responsibility project, where he serves as a Team Leader. Their objectives include staying in the army and gonna Airborne and Ranger class. He plans on working towards a diploma in Criminal Justice and is shooting for the rank of Sergeant high grade.

Combined with Association of usa Army, various other neighborhood frontrunners had been present to offer tiny tokens of the appreciation in recognition associated with outstanding attempts and employment well done. Among those going to had been Timothy Jones, representing Doyon Utilities in Fairbanks, whom delivered each Soldier with a gift card and a crisis automobile kit.

Totally free AUSA memberships, Certificates of Achievement, basketball caps, Leatherman resources, a book of Photographs of Alaska, and financial presents received too. They certainly were distributed by Bill Brophy through the Usibellli Foundation, Command Sgt. Maj. Travis D. Votaw, representing the Arctic Sgt. Maj. Association, and also other friends from Community Spouses Club, MAC Federal Credit Union and Design Alaska.

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Chicken, Ham and Leek Pie, with Mash
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Image by Wootang01
9.4.09
The flight arrived on time; and the twelve hours while on board passed quickly and without incident. To be sure, the quality of the Cathay Pacific service was exemplary once again.

Heathrow reminds me of Newark International. The décor comes straight out of the sterile 80’s and is less an eyesore than an insipid background to the rhythm of human activity, such hustle and bustle, at the fore. There certainly are faces from all races present, creating a rich mosaic of humanity which is refreshing if not completely revitalizing after swimming for so long in a sea of Chinese faces in Hong Kong.

Internet access is sealed in England, it seems. Nothing is free; everything is egregiously monetized from the wireless hotspots down to the desktop terminals. I guess Hong Kong has spoiled me with its abundant, free access to the information superhighway.

11.4.09
Despite staying in a room with five other backpackers, I have been sleeping well. The mattress and pillow are firm; my earplugs keep the noise out; and the sleeping quarters are as dark as a cave when the lights are out, and only as bright as, perhaps, a dreary rainy day when on. All in all, St. Paul’s is a excellent place to stay for the gregarious, adventurous, and penurious city explorer – couchsurfing may be a tenable alternative; I’ll test for next time.

Yesterday Connie and I gorged ourselves at the borough market where there were all sorts of delectable, savory victuals. There was definitely a European flavor to the food fair: simmering sausages were to be found everywhere; and much as the meat was plentiful, and genuine, so were the dairy delicacies, in the form of myriad rounds of cheese, stacked high behind checkered tabletops. Of course, we washed these tasty morsels down with copious amounts of alcohol that flowed from cups as though amber waterfalls. For the first time I tried mulled wine, which tasted like warm, rancid fruit punch – the ideal tonic for a drizzling London day, I suppose. We later killed the afternoon at the pub, shooting the breeze while imbibing several diminutive half-pints in the process. Getting smashed at four in the afternoon doesn’t seem like such a bad thing anymore, especially when you are having fun in the company of friends; I can more appreciate why the English do it so much!

Earlier in the day, we visited the Tate Modern. Its turbine room lived up to its prominent billing what with a giant spider, complete with bulbous egg sac, anchoring the retrospective exhibit. The permanent galleries, too, were a delight upon which to feast one’s eyes. Picasso, Warhol and Pollock ruled the chambers of the upper floors with the products of their lithe wrists; and I ended up becoming a huge fan of cubism, while developing a disdain for abstract art and its vacuous images, which, I feel, are devoid of both motivation and emotion.

My first trip yesterday morning was to Emirates Stadium, home of the Arsenal Gunners. It towers imperiously over the surrounding neighborhood; yet for all its majesty, the place sure was quiet! Business did pick up later, however, once the armory shop opened, and dozens of fans descended on it like bees to a hive. I, too, swooped in on a gift-buying mission, and wound up purchasing a book for Godfrey, a scarf for a student, and a jersey – on sale, of course – for good measure.

I’m sitting in the Westminster Abbey Museum now, resting my weary legs and burdened back. So far, I’ve been verily impressed with what I’ve seen, such a confluence of splendor and history before me that it would require days to absorb it all, when regretfully I can spare only a few hours. My favorite part of the abbey is the poets corner where no less a literary luminary than Samuel Johnson rests in peace – his bust confirms his homely presence, which was so vividly captured in his biography.

For lunch I had a steak and ale pie, served with mash, taken alongside a Guinness, extra cold – 2 degrees centigrade colder, the bartender explained. It went down well, like all the other delicious meals I’ve had in England; and no doubt by now I have grown accustomed to inebriation at half past two. Besides, Liverpool were playing inspired football against Blackburn; and my lunch was complete.

Having had my fill of football, I decided to skip my ticket scalping endeavor at Stamford Bridge and instead wandered over to the British Museum to inspect their extensive collections. Along the way, my eye caught a theater, its doors wide open and admitting customers. With much rapidity, I subsequently checked the show times, saw that a performance was set to begin, and at last rushed to the box office to purchase a discounted ticket – if you call a 40 pound ticket a deal, that is. That’s how I grabbed a seat to watch Hairspray in the West End.

The show was worth forty pounds. The music was addictive; and the stage design and effects were not so much kitschy as delightfully stimulating – the pulsating background lights were at once scintillating and penetrating. The actors as well were vivacious, oozing charisma while they danced and delivered lines dripping in humor. Hairspray is a quality production and most definitely recommended.

12.4.09
At breakfast I sat across from a man who asked me to which country Hong Kong had been returned – China or Japan. That was pretty funny. Then he started spitting on my food as he spoke, completely oblivious to my breakfast becoming the receptacle in which the fruit of his inner churl was being placed. I guess I understand the convention nowadays of covering one’s mouth whilst speaking and masticating at the same time!

We actually conversed on London life in general, and I praised London for its racial integration, the act of which is a prodigious leap of faith for any society, trying to be inclusive, accepting all sorts of people. It wasn’t as though the Brits were trying in vain to be all things to all men, using Spanish with the visitors from Spain, German with the Germans and, even, Hindi with the Indians, regardless of whether or not Hindi was their native language; not even considering the absurd idea of encouraging the international adoption of their language; thereby completely keeping English in English hands and allowing its proud polyglots to "practice" their languages. Indeed, the attempt of the Londoners to avail themselves of the rich mosaic of ethnic knowledge, and to seek a common understanding with a ubiquitous English accent is an exemplar, and the bedrock for any world city.

I celebrated Jesus’ resurrection at the St. Andrew’s Street Church in Cambridge. The parishioners of this Baptist church were warm and affable, and I met several of them, including one visiting (Halliday) linguistics scholar from Zhongshan university in Guangzhou, who in fact had visited my tiny City University of Hong Kong in 2003. The service itself was more traditional and the believers fewer in number than the "progressive" services at any of the charismatic, evangelical churches in HK; yet that’s what makes this part of the body of Christ unique; besides, the message was as brief as a powerpoint slide, and informative no less; the power word which spoke into my life being a question from John 21:22 – what is that to you?

Big trees; exquisite lawns; and old, pointy colleges; that’s Cambridge in a nutshell. Sitting here, sipping on a half-pint of Woodforde’s Wherry, I’ve had a leisurely, if not languorous, day so far; my sole duty consisting of walking around while absorbing the verdant environment as though a sponge, camera in tow.

I am back at the sublime beer, savoring a pint of Sharp’s DoomBar before my fish and chips arrive; the drinking age is 18, but anyone whose visage even hints of youthful brilliance is likely to get carded these days, the bartender told me. The youth drinking culture here is almost as twisted as the university drinking culture in America.

My stay in Cambridge, relaxing and desultory as it may be, is about to end after this late lunch. I an not sure if there is anything left to see, save for the American graveyard which rests an impossible two miles away. I have had a wonderful time in this town; and am thankful for the access into its living history – the residents here must demonstrate remarkable patience and tolerance what with so many tourists ambling on the streets, peering – and photographing – into every nook and cranny.

13.4.09
There are no rubbish bins, yet I’ve seen on the streets many mixed race couples in which the men tend to be white – the women also belonging to a light colored ethnicity, usually some sort of Asian; as well saw some black dudes and Indian dudes with white chicks.

People here hold doors, even at the entrance to the toilet. Sometimes it appears as though they are going out on a limb, just waiting for the one who will take the responsibility for the door from them, at which point I rush out to relieve them of such a fortuitous burden.

I visited the British Museum this morning. The two hours I spent there did neither myself nor the exhibits any justice because there really is too much to survey, enough captivating stuff to last an entire day, I think. The bottomless well of artifacts from antiquity, drawing from sources as diverse as Korea, and Mesopotamia, is a credit to the British empire, without whose looting most of this amazing booty would be unavailable for our purview; better, I think, for these priceless treasures to be open to all in the grandest supermarket of history than away from human eyes, and worst yet, in the hands of unscrupulous collectors or in the rubbish bin, possibly.

Irene and I took in the ballet Giselle at The Royal Opera House in the afternoon. The building is a plush marvel, and a testament to this city’s love for the arts. The ballet itself was satisfying, the first half being superior to the second, in which the nimble dancers demonstrated their phenomenal dexterity in, of all places, a graveyard covered in a cloak of smoke and darkness. I admit, their dance of the dead, in such a gloomy necropolis, did strike me as, strange.

Two amicable ladies from Kent convinced me to visit their hometown tomorrow, where, they told me, the authentic, "working" Leeds Castle and the mighty interesting home of Charles Darwin await.

I’m nursing a pint of Green King Ruddles and wondering about the profusion of British ales and lagers; the British have done a great deed for the world by creating an interminable line of low-alcohol session beers that can be enjoyed at breakfast, lunch, tea and dinner; and their disservice is this: besides this inexhaustible supply of cheap beer ensnaring my inner alcoholic, I feel myself putting on my freshman fifteen, almost ten years after the fact; I am going to have to run a bit harder back in Hong Kong if I want to burn all this malty fuel off.

Irene suggested I stop by the National Art Gallery since we were in the area; and it was an hour well spent. The gallery currently presents a special exhibit on Picasso, the non-ticketed section of which features several seductive renderings, including David spying on Bathsheba – repeated in clever variants – and parodies of other masters’ works. Furthermore, the main gallery houses two fabulous portraits by Joshua Reynolds, who happens to be favorite of mine, he in life being a close friend of Samuel Johnson – I passed by Boswells, where its namesake first met Johnson, on my way to the opera house.

14.4.09
I prayed last night, and went through my list, lifting everyone on it up to the Lord. That felt good; that God is alive now, and ever present in my life and in the lives of my brothers and sisters.

Doubtless, then, I have felt quite wistful, as though a specter in the land of the living, being in a place where religious fervor, it seems, is a thing of the past, a trifling for many, to be hidden away in the opaque corners of centuries-old cathedrals that are more expensive tourist destinations than liberating homes of worship these days. Indeed, I have yet to see anyone pray, outside of the Easter service which I attended in Cambridge – for such an ecstatic moment in verily a grand church, would you believe that it was only attended by at most three dozen spirited ones. The people of England, and Europe in general, have, it is my hope, only locked away the Word, relegating it to the quiet vault of their hearts. May it be taken out in the sudden pause before mealtimes and in the still crisp mornings and cool, silent nights. There is still hope for a revival in this place, for faith to rise like that splendid sun every morning. God would love to rescue them, to deliver them in this day, it is certain.

I wonder what Londoners think, if anything at all, about their police state which, like a vine in the shadows, has taken root in all corners of daily life, from the terrorist notifications in the underground, which implore Londoners to report all things suspicious, to the pair of dogs which eagerly stroll through Euston. What makes this all the more incredible is the fact that even the United States, the indomitable nemesis of the fledgling, rebel order, doesn’t dare bombard its citizens with such fear mongering these days, especially with Obama in office; maybe we’ve grown wise in these past few years to the dubious returns of surrendering civil liberties to the state, of having our bags checked everywhere – London Eye; Hairspray; and The Royal Opera House check bags in London while the museums do not; somehow, that doesn’t add up for me.

I’m in a majestic bookshop on New Street in Birmingham, and certainly to confirm my suspicions, there are just as many books on the death of Christianity in Britain as there are books which attempt to murder Christianity everywhere. I did find, however, a nice biography on John Wesley by Roy Hattersley and The Screwtape Letters by C.S. Lewis. I may pick up the former.

Lunch with Sally was pleasant and mirthful. We dined at a French restaurant nearby New Street – yes, Birmingham is a cultural capitol! Sally and I both tried their omelette, while her boyfriend had the fish, without chips. Conversation was light, the levity was there and so was our reminiscing about those fleeting moments during our first year in Hong Kong; it is amazing how friendships can resume so suddenly with a smile. On their recommendation, I am on my way to Warwick Castle – they also suggested that I visit Cadbury World, but they cannot take on additional visitors at the moment, the tourist office staff informed me, much to my disappointment!

Visiting Warwick Castle really made for a great day out. The castle, parts of which were established by William the Conquerer in 1068, is as much a kitschy tourist trap as a meticulous preservation of history, at times a sillier version of Ocean Park while at others a dignified dedication to a most glorious, inexorably English past. The castle caters to all visitors; and not surprisingly, that which delighted all audiences was a giant trebuchet siege engine, which for the five p.m. performance hurled a fireball high and far into the air – fantastic! Taliban beware!

15.4.09
I’m leaving on a jet plane this evening; don’t know when I’ll be back in England again. I’ll miss this quirky, yet endearing place; and that I shall miss Irene and Tom who so generously welcomed me into their home, fed me, and suffered my use of their toilet and shower goes without saying. I’m grateful for God’s many blessings on this trip.

On the itinerary today is a trip to John Wesley’s home, followed by a visit to the Imperial War Museum. Already this morning I picked up a tube of Oilatum, a week late perhaps, which Teri recommended I use to treat this obstinate, dermal weakness of mine – I’m happy to report that my skin has stopped crying.

John Wesley’s home is alive and well. Services are still held in the chapel everyday; and its crypt, so far from being a cellar for the dead, is a bright, spacious museum in which all things Wesley are on display – I never realized how much of an iconic figure he became in England; at the height of this idol frenzy, ironic in itself, he must have been as popular as the Beatles were at their apex. The house itself is a multi-story edifice with narrow, precipitous staircases and spacious rooms decorated in an 18th century fashion.

I found Samuel Johnson’s house within a maze of red brick hidden alongside Fleet Street. To be in the home of the man who wrote the English dictionary, and whose indefatigable love for obscure words became the inspiration for my own lexical obsession, this, by far, is the climax of my visit to England! The best certainly has been saved for last.

There are a multitude of portraits hanging around the house like ornaments on a tree. Every likeness has its own story, meticulously retold on the crib sheets in each room. Celebrities abound, including David Garrick and Sir Joshua Reynolds, who painted several of the finer images in the house. I have developed a particular affinity for Oliver Goldsmith, of whom Boswell writes, "His person was short, his countenance coarse and vulgar, his deportment that of a scholar awkwardly affecting the easy gentleman. It appears as though I, too, could use a more flattering description of myself!

I regretfully couldn’t stop to try the curry in England; I guess the CityU canteen’s take on the dish will have to do. I did, however, have the opportune task of flirting with the cute Cathay Pacific counter staff who checked me in. She was gorgeous in red, light powder on her cheeks, with real diamond earrings, she said; and her small, delicate face, commanded by a posh British accent rendered her positively irresistible, electrifying. Not only did she grant me an aisle seat but she had the gumption to return my fawning with zest; she must be a pro at this by now.

I saw her again as she was pulling double-duty, collecting tickets prior to boarding. She remembered my quest for curry; and in the fog of infatuation, where nary a man has been made, I fumbled my words like the sloppy kid who has had too much punch. I am just an amateur, alas, an "Oliver Goldsmith" with the ladies – I got no game – booyah!

Some final, consequential bits: because of the chavs, Burberry no longer sells those fashionable baseball caps; because of the IRA, rubbish bins are no longer a commodity on the streets of London, and as a result, the streets and the Underground of the city are a soiled mess; and because of other terrorists from distant, more arid lands, going through a Western airport has taken on the tedium of perfunctory procedure that doesn’t make me feel any safer from my invisible enemies.

At last, I saw so many Indians working at Heathrow that I could have easily mistaken the place for Mumbai. Their presence surprised me because their portion of the general population surely must be less than their portion of Heathrow staff, indicating some mysterious hiring bias. Regardless, they do a superb job with cursory airport checks, and in general are absurdly funny and witty when not tactless.

That’s all for England!

Cool Credit Report images

Published / by webmaster

A few nice credit report images I found:

Tuesday afternoon – bw
credit report
Image by roger901
Thanks to the following for choosing creative commons, some changes were made. Thanks to justjosie for the texture:

Emmanuel MURGEY La Ferté 2014-_MUR9749
www.flickr.com/photos/131578358@N05/26092046755/in/faves-…
creativecommons.org/licenses/by-nc-nd/2.0/

Moyan Brenn Desert
www.flickr.com/photos/aigle_dore/5951682463/in/faves-1443…
creativecommons.org/licenses/by/2.0/
COPYRIGHT RULES & CONDITIONS
-1)- Copyright Acceptance: By using my images, the user entirely accepts this copyright statement.
-2)- Ownership of the images: All the images in this gallery belong to me, Moyan Brenn, and are published on Flickr for a non-profit, personal, artistic and recreational reason.
-3)- Permitted Use: My images can be used for free for both private and commercial use under license CC-BY-2.0 in change of reporting my credits in a form such as "image copyrights Moyan Brenn", and in change of respecting this copyright statement. Otherwise, If my credits cannot be reported, a request for a full special license must be firstly sent me.
-4)- Violation of my copyright: The violation of my copyright rules constitutes a critical copyrights infringement that could be legally pursued with a request of reimbursement.
-5)- Private Property decline of responsibility: please be advised that some of my images could contain some private property, such as buildings or monuments which could be under the copyright of their owners. In this sense, the licenses offered on point 3), do not already include in any case the permission of the property owners, especially in case of commercial use of my images. Therefore, before any use of such images, it is responsibility of the final user to firstly ask for this permission directly to the properties owners. In this sense, I decline any responsibility derived from the improper or illegal use of my images containing private property.
-6)- General decline of responsibility: please be advised that in any case I decline any responsibility for any possible consequence derived from the improper or illegal use of my images.

Dave Camel
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DSC_6241 – Windmill turned Lighthouse
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Image by archer10 (Dennis) 95M Views
PLEASE, no multi invitations, glitters or self promotion in your comments. My photos are FREE for anyone to use, just give me credit and it would be nice if you let me know. Thanks

The Battle of the Windmill

After the 1837 Rebellions many rebels fled to the United States where a few joined American sympathizers in a new attempt to overthrow British rule in Canada. On 12 November 1838 they landed 190 men here and seized this windmill and nearby buildings. The local people remained loyal, reporting to their militia units; in a few days 2,000 militia and regulars, supported by naval vessels, besieged the mill. Although British guns did little damage to the mill, the insurgents, seeing no escape, surrended on the 16th. Eleven were later executed and 60 exiled to Australia. 3 km east of Prescott, Ontario, Canada

This really was built as a windmill, and it was rebuilt as a lighthouse in 1846 and served until 1965.

Cool Free Credit Report Government images

Published / by webmaster

Some cool free credit report government images:

Banksy in Boston: F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED, Essex St, Chinatown, Boston
free credit report government
Image by Chris Devers
Interestingly, both of the Boston area Banksy pieces are on Essex St:

F̶O̶L̶L̶O̶W̶ ̶Y̶O̶U̶R̶ ̶D̶R̶E̶A̶M̶S̶ CANCELLED (aka chimney sweep) in Chinatown, Boston
NO LOITRIN in Central Square, Cambridge.

Does that mean anything? It looks like he favors Essex named streets & roads when he can. In 2008, he did another notable Essex work in London, for example, and posters on the Banksy Forums picked up & discussed on the Essex link as well.

Is there an Essex Street in any of the other nearby towns? It looks like there are several: Brookline, Charlestown, Chelsea, Gloucester, Haverhill, Lawrence, Lynn, Medford, Melrose, Quincy, Revere, Salem, Saugus, Somerville, Swampscott, and Waltham. Most of these seem improbable to me, other than maybe Brookline, or maybe Somerville or Charlestown. But they start getting pretty suburban after that.

But, again, why "Essex"? In a comment on this photo, Birbeck helps clarify:

I can only surmise that he’s having a ‘dig’ at Essex UK, especially with the misspelling of ‘Loitering’. Here, the general view of the urban districts in Essex: working class but with right wing views; that they’re not the most intellectual bunch; rather obsessed with fashion (well, their idea of it); their place of worship is the shopping mall; enjoy rowdy nights out; girls are thought of as being dumb, fake blonde hair/tans and promiscuous; and guys are good at the ‘chit chat’, and swagger around showing off their dosh (money).

It was also the region that once had Europe’s largest Ford motor factory. In its heyday, 1 in 3 British cars were made in Dagenham, Essex. Pay was good for such unskilled labour, generations worked mind-numbing routines on assembly lines for 80 years. In 2002 the recession ended the dream.

• • • • •

Meredith Goldsten of the Boston Globe wrote to me on Facebook and asked for permission to run one of my Banksy photos in the newspaper, which I granted. Supposedly, this photo or one of the others I took appeared in the Globe on 15 May 2010, but I haven’t been able to find it. The online version of that day’s article, titled Tag — we’re it: Banksy, the controversial and elusive street artist, left his mark here. Or did he? uses a photo taken by "Essdras M. Suarez / Globe Staff". If I can find a copy of that day’s paper and verify that one of my Banksy photos was in there, I’ll scan the page & post a copy here 🙂

• This photo appeared on Grafitti – A arte das ruas on Yahoo Meme. Yes, Yahoo has a Tumblr/Posterous-esque "Meme" service now — I was as surprised as you are.

• This photo also appeared on Love Your Chaos on Tumblr, among other blogs. Thanks!

• • • • •

Banksy
From Wikipedia, the free encyclopedia

Banksy
Birth name
Unknown

Born
1974 or 1975 (1974 or 1975), Bristol, UK[1]

Nationality
British

Field
Graffiti
Street Art
Bristol underground scene
Sculpture

Movement
Anti-Totalitarianism
Anti-capitalism
Pacifism
Anti-War
Anarchism
Atheism
Anti-Fascism

Works
Naked Man Image
One Nation Under CCTV
Anarchist Rat
Ozone’s Angel
Pulp Fiction

Banksy is a pseudonymous[2][3][4] British graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol[2] and to have been born in 1974,[5] but his identity is unknown.[6] According to Tristan Manco[who?], Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s."[7] His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world.[8] Banksy’s work was born out of the Bristol underground scene which involved collaborations between artists and musicians.

Banksy does not sell photos of street graffiti.[9] Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.[10]

Banksy’s first film, Exit Through The Gift Shop, billed as "the world’s first street art disaster movie", made its debut at the 2010 Sundance Film Festival.[11] The film was released in the UK on March 5.[12]

Contents

1 Career
•• 1.1 2000
•• 1.2 2002
•• 1.3 2003
•• 1.4 2004
•• 1.5 2005
•• 1.6 2006
•• 1.7 2007
•• 1.8 2008
•• 1.9 2009
•• 1.10 2010
2 Notable art pieces
3 Technique
4 Identity
5 Controversy
6 Bibliography
7 References
8 External links

Career

Banksy started as a freehand graffiti artist 1992–1994[14] as one of Bristol’s DryBreadZ Crew (DBZ), with Kato and Tes.[15] He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too.[14] By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a piece. He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number[16] and by employing this technique, he soon became more widely noticed for his art around Bristol and London.[16]

Stencil on the waterline of The Thekla, an entertainment boat in central Bristol – (wider view). The image of Death is based on a 19th century etching illustrating the pestilence of The Great Stink.[17]

Banksy’s stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects often include rats, monkeys, policemen, soldiers, children, and the elderly.

In late 2001, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay[clarification needed], where he stencilled a parachuting rat with a clothes peg on its nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phone-box), and was responsible for the cover art of Blur’s 2003 album Think Tank.

2000

The album cover for Monk & Canatella‘s Do Community Service was conceived and illustrated by Banksy, based on his contribution to the "Walls on fire" event in Bristol 1998.[18][citation needed]

2002

On 19 July 2002, Banksy’s first Los Angeles exhibition debuted at 33 1/3 Gallery, a small Silverlake venue owned by Frank Sosa. The exhibition, entitled Existencilism, was curated by 33 1/3 Gallery, Malathion, Funk Lazy Promotions, and B+.[19]

2003

In 2003 in an exhibition called Turf War, held in a warehouse, Banksy painted on animals. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest.[20] He later moved on to producing subverted paintings; one example is Monet‘s Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper‘s Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.[21]

2004

In August 2004, Banksy produced a quantity of spoof British £10 notes substituting the picture of the Queen’s head with Princess Diana‘s head and changing the text "Bank of England" to "Banksy of England." Someone threw a large wad of these into a crowd at Notting Hill Carnival that year, which some recipients then tried to spend in local shops. These notes were also given with invitations to a Santa’s Ghetto exhibition by Pictures on Walls. The individual notes have since been selling on eBay for about £200 each. A wad of the notes were also thrown over a fence and into the crowd near the NME signing tent at The Reading Festival. A limited run of 50 signed posters containing ten uncut notes were also produced and sold by Pictures on Walls for £100 each to commemorate the death of Princess Diana. One of these sold in October 2007 at Bonhams auction house in London for £24,000.

2005

In August 2005, Banksy, on a trip to the Palestinian territories, created nine images on Israel’s highly controversial West Bank barrier. He reportedly said "The Israeli government is building a wall surrounding the occupied Palestinian territories. It stands three times the height of the Berlin Wall and will eventually run for over 700km—the distance from London to Zurich. "[22]

2006

• Banksy held an exhibition called Barely Legal, billed as a "three day vandalised warehouse extravaganza" in Los Angeles, on the weekend of 16 September. The exhibition featured a live "elephant in a room", painted in a pink and gold floral wallpaper pattern.[23]
• After Christina Aguilera bought an original of Queen Victoria as a lesbian and two prints for £25,000,[24] on 19 October 2006 a set of Kate Moss paintings sold in Sotheby’s London for £50,400, setting an auction record for Banksy’s work. The six silk-screen prints, featuring the model painted in the style of Andy Warhol‘s Marilyn Monroe pictures, sold for five times their estimated value. His stencil of a green Mona Lisa with real paint dripping from her eyes sold for £57,600 at the same auction.[25]
• In December, journalist Max Foster coined the phrase, "the Banksy Effect", to illustrate how interest in other street artists was growing on the back of Banksy’s success.[26]

2007

• On 21 February 2007, Sotheby’s auction house in London auctioned three works, reaching the highest ever price for a Banksy work at auction: over £102,000 for his Bombing Middle England. Two of his other graffiti works, Balloon Girl and Bomb Hugger, sold for £37,200 and £31,200 respectively, which were well above their estimated prices.[27] The following day’s auction saw a further three Banksy works reach soaring prices: Ballerina With Action Man Parts reached £96,000; Glory sold for £72,000; Untitled (2004) sold for £33,600; all significantly above estimated values.[28] To coincide with the second day of auctions, Banksy updated his website with a new image of an auction house scene showing people bidding on a picture that said, "I Can’t Believe You Morons Actually Buy This Shit."[6]
• In February 2007, the owners of a house with a Banksy mural on the side in Bristol decided to sell the house through Red Propeller art gallery after offers fell through because the prospective buyers wanted to remove the mural. It is listed as a mural which comes with a house attached.[29]
• In April 2007, Transport for London painted over Banksy’s iconic image of a scene from Quentin Tarantino‘s Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns. Although the image was very popular, Transport for London claimed that the "graffiti" created "a general atmosphere of neglect and social decay which in turn encourages crime" and their staff are "professional cleaners not professional art critics".[30] Banksy tagged the same site again (pictured at right). This time the actors were portrayed as holding real guns instead of bananas, but they were adorned with banana costumes. Banksy made a tribute art piece over this second Pulp Fiction piece. The tribute was for 19-year-old British graffiti artist Ozone, who was hit by an underground train in Barking, East London, along with fellow artist Wants, on 12 January 2007.[31] The piece was of an angel wearing a bullet-proof vest, holding a skull. He also wrote a note on his website, saying:

The last time I hit this spot I painted a crap picture of two men in banana costumes waving hand guns. A few weeks later a writer called Ozone completely dogged it and then wrote ‘If it’s better next time I’ll leave it’ in the bottom corner. When we lost Ozone we lost a fearless graffiti writer and as it turns out a pretty perceptive art critic. Ozone – rest in peace.[citation needed]

Ozone’s Angel

• On 27 April 2007, a new record high for the sale of Banksy’s work was set with the auction of the work Space Girl & Bird fetching £288,000 (US6,000), around 20 times the estimate at Bonhams of London.[32]
• On 21 May 2007 Banksy gained the award for Art’s Greatest living Briton. Banksy, as expected, did not turn up to collect his award, and continued with his notoriously anonymous status.
• On 4 June 2007, it was reported that Banksy’s The Drinker had been stolen.[33][34]
• In October 2007, most of his works offered for sale at Bonhams auction house in London sold for more than twice their reserve price.[35]

• Banksy has published a "manifesto" on his website.[36] The text of the manifesto is credited as the diary entry of one Lieutenant Colonel Mervin Willett Gonin, DSO, which is exhibited in the Imperial War Museum. It describes how a shipment of lipstick to the Bergen-Belsen concentration camp immediately after its liberation at the end of World War II helped the internees regain their humanity. However, as of 18 January 2008, Banksy’s Manifesto has been substituted with Graffiti Heroes #03 that describes Peter Chappell’s graffiti quest of the 1970s that worked to free George Davis of his imprisonment.[37] By 12 August 2009 he was relying on Emo Phillips’ "When I was a kid I used to pray every night for a new bicycle. Then I realised God doesn’t work that way, so I stole one and prayed for forgiveness."
• A small number of Banksy’s works can be seen in the movie Children of Men, including a stenciled image of two policemen kissing and another stencil of a child looking down a shop.
• In the 2007 film Shoot ‘Em Up starring Clive Owen, Banksy’s tag can be seen on a dumpster in the film’s credits.
• Banksy, who deals mostly with Lazarides Gallery in London, claims that the exhibition at Vanina Holasek Gallery in New York (his first major exhibition in that city) is unauthorised. The exhibition featured 62 of his paintings and prints.[38]

2008

• In March, a stencilled graffiti work appeared on Thames Water tower in the middle of the Holland Park roundabout, and it was widely attributed to Banksy. It was of a child painting the tag "Take this Society" in bright orange. London Borough of Hammersmith and Fulham spokesman, Councillor Greg Smith branded the art as vandalism, and ordered its immediate removal, which was carried out by H&F council workmen within three days.[39]
• Over the weekend 3–5 May in London, Banksy hosted an exhibition called The Cans Festival. It was situated on Leake Street, a road tunnel formerly used by Eurostar underneath London Waterloo station. Graffiti artists with stencils were invited to join in and paint their own artwork, as long as it didn’t cover anyone else’s.[40] Artists included Blek le Rat, Broken Crow, C215, Cartrain, Dolk, Dotmasters, J.Glover, Eine, Eelus, Hero, Pure evil, Jef Aérosol, Mr Brainwash, Tom Civil and Roadsworth.[citation needed]
• In late August 2008, marking the third anniversary of Hurricane Katrina and the associated levee failure disaster, Banksy produced a series of works in New Orleans, Louisiana, mostly on buildings derelict since the disaster.[41]
• A stencil painting attributed to Banksy appeared at a vacant petrol station in the Ensley neighbourhood of Birmingham, Alabama on 29 August as Hurricane Gustav approached the New Orleans area. The painting depicting a hooded member of the Ku Klux Klan hanging from a noose was quickly covered with black spray paint and later removed altogether.[42]
• His first official exhibition in New York, the "Village Pet Store And Charcoal Grill," opened 5 October 2008. The animatronic pets in the store window include a mother hen watching over her baby Chicken McNuggets as they peck at a barbecue sauce packet, and a rabbit putting makeup on in a mirror.[43]
• The Westminster City Council stated in October 2008 that the work "One Nation Under CCTV", painted in April 2008 will be painted over as it is graffiti. The council says it will remove any graffiti, regardless of the reputation of its creator, and specifically stated that Banksy "has no more right to paint graffiti than a child". Robert Davis, the chairman of the council planning committee told The Times newspaper: "If we condone this then we might as well say that any kid with a spray can is producing art". [44] The work was painted over in April 2009.
• In December 2008, The Little Diver, a Banksy image of a diver in a duffle coat in Melbourne Australia was vandalised. The image was protected by a sheet of clear perspex, however silver paint was poured behind the protective sheet and later tagged with the words "Banksy woz ere". The image was almost completely destroyed.[45].

2009

• May 2009, parts company with agent Steve Lazarides. Announces Pest Control [46] the handling service who act on his behalf will be the only point of sale for new works.
• On 13 June 2009, the Banksy UK Summer show opened at Bristol City Museum and Art Gallery, featuring more than 100 works of art, including animatronics and installations; it is his largest exhibition yet, featuring 78 new works.[47][48] Reaction to the show was positive, with over 8,500 visitors to the show on the first weekend.[49] Over the course of the twelve weeks, the exhibition has been visited over 300,000 times.[50]
• In September 2009, a Banksy work parodying the Royal Family was partially destroyed by Hackney Council after they served an enforcement notice for graffiti removal to the former address of the property owner. The mural had been commissioned for the 2003 Blur single "Crazy Beat" and the property owner, who had allowed the piece to be painted, was reported to have been in tears when she saw it was being painted over.[51]
• In December 2009, Banksy marked the end of the 2009 United Nations Climate Change Conference by painting four murals on global warming. One included "I don’t believe in global warming" which was submerged in water.[52]

2010

• The world premiere of the film Exit Through the Gift Shop occurred at the Sundance Film Festival in Park City, Utah, on 24 January. He created 10 street pieces around Park City and Salt Lake City to tie in with the screening.[53]
• In February, The Whitehouse public house in Liverpool, England, is sold for £114,000 at auction.[54] The side of the building has an image of a giant rat by Banksy.[55]
• In April 2010, Melbourne City Council in Australia reported that they had inadvertently ordered private contractors to paint over the last remaining Banksy art in the city. The image was of a rat descending in a parachute adorning the wall of an old council building behind the Forum Theatre. In 2008 Vandals had poured paint over a stencil of an old-fashioned diver wearing a trenchcoat. A council spokeswoman has said they would now rush through retrospective permits to protect other “famous or significant artworks” in the city.[56]
• In April 2010 to coincide with the premier of Exit through the Gift Shop in San Francisco, 5 of his pieces appeared in various parts of the city.[57] Banksy reportedly paid a Chinatown building owner for the use of their wall for one of his stencils.[58]
• In May 2010 to coincide with the release of "Exit Through the Gift Shop" in Chicago, one piece appeared in the city.

Notable art pieces

In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:

• At London Zoo, he climbed into the penguin enclosure and painted "We’re bored of fish" in seven foot high letters.[59]
• At Bristol Zoo, he left the message ‘I want out. This place is too cold. Keeper smells. Boring, boring, boring.’ in the elephant enclosure.[60]
• In March 2005, he placed subverted artworks in the Museum of Modern Art, Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History in New York.[61]
• He put up a subverted painting in London’s Tate Britain gallery.
• In May 2005 Banksy’s version of a primitive cave painting depicting a human figure hunting wildlife whilst pushing a shopping trolley was hung in gallery 49 of the British Museum, London. Upon discovery, they added it to their permanent collection.[62]

Near Bethlehem – 2005

• Banksy has sprayed "This is not a photo opportunity" on certain photograph spots.
• In August 2005, Banksy painted nine images on the Israeli West Bank barrier, including an image of a ladder going up and over the wall and an image of children digging a hole through the wall.[22][63][64][65]

See also: Other Banksy works on the Israeli West Bank barrier

• In April 2006, Banksy created a sculpture based on a crumpled red phone box with a pickaxe in its side, apparently bleeding, and placed it in a street in Soho, London. It was later removed by Westminster Council. BT released a press release, which said: "This is a stunning visual comment on BT’s transformation from an old-fashioned telecommunications company into a modern communications services provider."[66]
• In June 2006, Banksy created an image of a naked man hanging out of a bedroom window on a wall visible from Park Street in central Bristol. The image sparked some controversy, with the Bristol City Council leaving it up to the public to decide whether it should stay or go.[67] After an internet discussion in which 97% (all but 6 people) supported the stencil, the city council decided it would be left on the building.[67] The mural was later defaced with paint.[67]
• In August/September 2006, Banksy replaced up to 500 copies of Paris Hilton‘s debut CD, Paris, in 48 different UK record stores with his own cover art and remixes by Danger Mouse. Music tracks were given titles such as "Why am I Famous?", "What Have I Done?" and "What Am I For?". Several copies of the CD were purchased by the public before stores were able to remove them, some going on to be sold for as much as £750 on online auction websites such as eBay. The cover art depicted Paris Hilton digitally altered to appear topless. Other pictures feature her with a dog’s head replacing her own, and one of her stepping out of a luxury car, edited to include a group of homeless people, which included the caption "90% of success is just showing up".[68][69][70]
• In September 2006, Banksy dressed an inflatable doll in the manner of a Guantanamo Bay detainment camp prisoner (orange jumpsuit, black hood, and handcuffs) and then placed the figure within the Big Thunder Mountain Railroad ride at the Disneyland theme park in Anaheim, California.[71][72]

Technique

Asked about his technique, Banksy said:

“I use whatever it takes. Sometimes that just means drawing a moustache on a girl’s face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.[73]

Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy’s work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.

He mentions in his book, Wall and Piece, that as he was starting to do graffiti, he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.

Identity

Banksy’s real name has been widely reported to be Robert or Robin Banks.[74][75][76] His year of birth has been given as 1974.[62]

Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".[77] In the same interview, Banksy revealed that his parents think their son is a painter and decorator.[77]

In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in the Evening Standard in 2004.[6]

In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.[78]

In July 2008, it was claimed by The Mail on Sunday that Banksy’s real name is Robin Gunningham.[3][79] His agent has refused to confirm or deny these reports.

In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a "self-portrait" of a rat holding a sign with the word "Gunningham" shot on it was photographed in East London.[80] This "new Banksy rat" story was also picked up by The Times[81] and the Evening Standard.

Banksy, himself, states on his website:

“I am unable to comment on who may or may not be Banksy, but anyone described as being ‘good at drawing’ doesn’t sound like Banksy to me.[82]

Controversy

In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as "shortcuts". He is quoted as saying:

“To actually [have to] go through the process of having a painting selected must be quite boring. It’s a lot more fun to go and put your own one up.[83]

Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy’s work is simple vandalism,[84] and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy’s street art glorifies what is essentially vandalism".[6]

In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it.[citation needed] The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn’t fond of it, and the portaloos were removed before the 2008 festival.

In 2010, an artistic feud developed between Banksy and his rival King Robbo after Banksy painted over a 24-year old Robbo piece on the banks of London’s Regent Canal. In retaliation several Banksy pieces in London have been painted over by ‘Team Robbo’.[85][86]

Also in 2010, government workers accidentally painted over a Banksy art piece, a famed "parachuting-rat" stencil, in Australia’s Melbourne CBD. [87]

Bibliography

Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:

• Banksy, Banging Your Head Against A Brick Wall (2001) ISBN 978-0-95417040-0
• Banksy, Existencilism (2002) ISBN 978-0-95417041-7
• Banksy, Cut it Out (2004) ISBN 978-0-95449600-5
• Banksy, Wall and Piece (2005) ISBN 978-1-84413786-2
• Banksy, Pictures of Walls (2005) ISBN 978-0-95519460-3

Random House published Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.[16]

Two books authored by others on his work were published in 2006 & 2007:

• Martin Bull, Banksy Locations and Tours: A Collection of Graffiti Locations and Photographs in London (2006 – with new editions in 2007 and 2008) ISBN 978-0-95547120-9.
• Steve Wright, Banksy’s Bristol: Home Sweet Home (2007) ISBN 978-1906477004

External links

Official website
Banksy street work photos

Cool Home Mortgage Loan photos

Published / by webmaster

Some cool home loan loan images:

Mortgage Rates
home mortgage loan
Image by MarkMoz12

Image from web page 98 of “The Santa Fe magazine” (1913)
home mortgage loan
Image by online Archive Book Images
Identifier: santafemagazine5101unse_3
Title: The Santa Fe magazine
Year: 1913 (1910s)
Writers:
Subjects: Atchison, Topeka, and Santa Fe Railroad Business Railroads
Publisher: Chicago : Santa Fe Magazine
Adding Library: University of Illinois Urbana-Champaign
Digitizing Sponsor: University of Illinois Urbana-Champaign

View Book Webpage: Book Viewer
Concerning this Book: Catalog Entry
See All Photos: All Images From Book

Follow this link to view guide online to see this example in context in a browseable on line version of this guide.

Text Appearing Before Image:
age. The resignation of Rodman Butterworth isbeing significantly lamented by many people young ladiesaround Fresno and Stockton. Zack hasgone back to the old home in Tennessee. W.P. Herron regarding the la Division hasbeen utilized in simply take Butterworths spot. R. M. Jones, that has worked as main clerkin the connection and building division for fouryears, and that is investing their summertime keep-ing time for an extra group, leaves the lat-ter section of September to go into the medicaldepartment of Vanderbilt University on histhird year of a four-year course. Doc Jonesis popular by all his Santa Fe acquaintances,and if he should prove as successful in themedical career as he has actually as a railroad-man, there never ever may be any occasion for himto go hungry. GALVESTON(W. W. Smithey, treatment superintendent) Bess Warren has actually returned from Marlinslightly enhanced from their recent assault ofrheumatism. Palmer Wyatt, alias Y, will need unto him-self in the near future a life spouse. A can- ADVERTISING INFORMATION 09

Text Appearing After Image:
The Edison!* The newest style Edison Phonograph inour grand brand-new outfit—this superb en-tertainer, Mr. Edisons most recent, final im-provement of phonograph, shipped TOTALLY FREE! Yes, FREE! We do not ask a single thing of one’s money—We do not wantyou to help keep the phonograph—i simply wish give it to you ona no-cost loan—then you’ll send it back within my very own expense. D/arl Ill A ^t£*m* ■ i’ll deliver you release this grand newI1WU lilt? VI ICl ■ ensemble. Fireside Model .with one dozen Gold Molded and Amberol documents.You do not have to spend me personally a cent C. O. D. or signal anyleases or mortgages. I want you to obtain this no-cost outfit—the work of art of Mr. Edisons skill—in your house. Iwant that see and hear Mr. Edisons last and greatestimprovement i n phonographs. I want to persuade you of itswonderful superiority. Offer a free show; offer a freeminstrel show, songs, dances, the conventional hymns, grandopera, comic opera—all this I want you to hear free ofcharge—all is likely to home—on this free loan offe

Note About Photos
Please be aware why these images are extracted from scanned page pictures that’ll have been digitally enhanced for readability – coloration and appearance of the pictures might not completely look like the first work.

Cool Auto Insurance images

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A few nice auto insurance images I found:

Auto insurance fraud busts
auto insurance
Image by CA Dept of Insurance
CA. Dept. of Insurance
(photo credit: Nancy Kincaid)

Madrid_0141
auto insurance
Image by Joanbrebo
Edificio Metrópolis, Madrid.

Inaugurado el 21 de enero de 1911, fue adjudicado por concurso y diseñado por los arquitectos franceses Jules y Raymond Février para la compañía de seguros La Unión y el Fénix. La obra final la llevó a cabo el español Luis Esteve Fernández-Caballero, que la terminó en 1910.

Sobre la austera planta baja, las plantas superiores, en estilo neorrenacimiento, están adornadas con columnas corintias y entablamentos que sirven de pedestal a estatuas alegóricas del Comercio, la Agricultura, la Industria y la Minería de los escultores Mariano Benlliure, Paul Landowski y De Lambert.

La torre circular está coronada por una cúpula de pizarra con incrustaciones doradas, que por su semejanza con el casco de los bomberos se denomina "estilo Pompier" (bombero en francés). Originariamente, soportaba el símbolo de la compañía, una estatua alegórica de bronce del Fénix sobre el cual había una figura humana con el brazo alzado representando a Ganímedes, realizada por el escultor René de Saint-Marceaux.

A principios de los setenta, la compañía vendió el edificio a sus dueños actuales, la aseguradora «Metrópolis». Los antiguos propietarios decidieron llevarse la estatua (por entonces elemento familiar del paisaje madrileño) a su edificio en el Paseo de la Castellana. Finalmente, la estatua fue reemplazada por otra que representa la Victoria Alada, obra de Federico Coullaut Valera; el Fénix original se encuentra ahora en el jardín de la sede de la Mutua Madrileña, en el número 33 del Paseo de la Castellana.

Opened on January 21, 1911, it was awarded by competition and designed by the French architects Jules and Raymond Février for the insurance company La Union and the Phoenix. The final work was carried out by the Spanish Luis Esteve Fernández-Caballero, who finished it in 1910.

On the austere ground floor, the upper floors, in neorrenacimiento style, are adorned with Corinthian columns and entablatures that serve as pedestal to allegorical statues of the Commerce, the Agriculture, the Industry and the Mining of the sculptors Mariano Benlliure, Paul Landowski and De Lambert .

The circular tower is crowned by a dome of slate with gold incrustations, that by its resemblance to the helmet of the firemen is denominated "style Pompier" (fireman in French). Originally, it bore the symbol of the company, an allegorical bronze statue of the Phoenix on which was a human figure with raised arm representing Ganymedes, made by the sculptor René de Saint-Marceaux.

In the early 1970s, the company sold the building to its current owners, the insurer "Metropolis". The former owners decided to take the statue (then familiar element of the Madrid landscape) to his building on the Paseo de la Castellana. Finally, the statue was replaced by another one that represents the Winged Victory, work of Federico Coullaut Valera; The original Phoenix is ​​now in the garden of the headquarters of Mutua Madrileña, at number 33 Paseo de la Castellana.

Cool Bankruptcy pictures

Published / by webmaster

Some cool personal bankruptcy images:

Vroeger op vrijdag: vanaf V&D
bankruptcy
Image by Peter ( phonepics just) Eijkman
Twee-en drieasserstellen bepalen het beeld in de eerste helft van de jaren ’50. Een naoorlogs stel is web de nog enkelsporige Reguliersbreestraat ingedraaid op lijn 4 of 9 , en een spitsuurstel van lijn 5 heeft op de halte last van ‘trosvorming’ onder de vele passagiers.
Richting CS staan een twee-assig stel van lijn 16 en een drieasser op lijn 25. Bij vertrek naar het section had had hier niet de lijn found het laagste nummer voorrang, maar de tram op het binnenspoor, omdat vanuit het zichtpunt van de bestuurders het lijnnummer van zijn collega niet of heel lastig zichtbaar ended up being. De foto is genomen vanaf het dak van V&D- ook al zo’n verdwenen icoon- en te zien is dat de taxi’s in de hoofdstad ook toen nog allemaal herkenbaar waren aan de blokband- het federatieve hoofdstedelijk taxibedrijf heette zelfs zo.

Foto uit Stadsarchief Amsterdam

Vintage Friday:
Muntplein in ± 1953 with trams on path 9,5, 16 and 25.
Picture obtained from the roof of Holland’s biggest emporium V&D, which moved into personal bankruptcy and closed in 2015.

Area Coast
bankruptcy
Image by Rusty Clark ~ 100K Photos
Tenuous Link: [wedding] bands –> divorces